Artists like Giovanni Pierluigi da Palestrina

Josquin Lebloitte dit des Prez was a composer of Renaissance music, who is variously described as French or Franco-Flemish. Considered one of the greatest composers of the Renaissance, he was a central figure of the Franco-Flemish School and had a profound influence on the music of 16th-century Europe. Building on the work of his predecessors like Johannes Ockeghem, he developed a complex style of expressive—and often imitative—movement between independent voices (polyphony) which informs much of his work. He further emphasized the relationship between text and music, and departed from the early Renaissance tendency towards lengthy melismatic lines on a single syllable, preferring to use shorter, repeated motifs between voices. Josquin was a singer, and his compositions are mainly vocal. They include masses, motets and secular chansons.

Sir John Milford Rutter is an English composer, conductor, editor, arranger, and record producer, mainly of choral music. He founded the Cambridge Singers who premiered and recorded many of his works for his own label Collegium Records. His compositions, extended pieces for choir and orchestra, such as Requiem and Magnificat, and many choral works including For the beauty of the earth, Christmas Carol and A Clare Benediction, are popular, especially in the UK and the United States. He is known for Christmas carols, in both arrangements of traditional melodies and new compositions, and Carols for Choirs anthology series compiled with David Willcocks.

Giovanni Battista Draghi, usually referred to as Giovanni Battista Pergolesi, was an Italian Baroque composer, violinist, and organist, leading exponent of the Baroque; he is considered one of the greatest Italian musicians of the first half of the 18th century and one of the most important representatives of the Neapolitan school.

Tomás Luis de Victoria was the most famous Spanish composer of the Renaissance. He stands with Giovanni Pierluigi da Palestrina and Orlande de Lassus as among the principal composers of the late Renaissance, and was "admired above all for the intensity of some of his motets and of his Offices for the Dead and for Holy Week". His surviving oeuvre, unlike that of his colleagues, is almost exclusively sacred and polyphonic vocal music, set to Latin texts. As a Catholic priest, as well as an accomplished organist and singer, his career spanned both Spain and Italy. However, he preferred the life of a composer to that of a performer.