Artists like Johnny Pate

The Average White Band were a Scottish funk and R&B band that had a series of soul and disco hits between 1974 and 1980. They were best known for their million-selling instrumental track "Pick Up the Pieces", and their albums AWB and Cut the Cake. The band name was initially proposed by Bonnie Bramlett. They have influenced others, such as the Brand New Heavies, and been sampled by various musicians, including the Beastie Boys, Public Enemy, TLC, the Beatnuts, Too Short, Ice Cube, Eric B. & Rakim, Nas, A Tribe Called Quest, Christina Milian, and Arrested Development, making them the 15th most sampled act in history.

Charles Louis Brown was an American guitarist, bandleader, and singer known as "The Godfather of Go-Go". Go-go is a subgenre of funk music developed around the Washington, D.C., area in the mid-1970s. While its musical classification, influences, and origins are debated, Brown is regarded as the fundamental force behind the creation of go-go music.

Rotary Connection was an American psychedelic soul band, formed in Chicago in 1966.

Roy Edward Ayers Jr. was an American vibraphonist, record producer, and composer. Ayers began his career as a post-bop jazz artist, releasing several studio albums with Atlantic Records, before his tenure at Polydor Records beginning in the 1970s, during which he helped to pioneer jazz-funk. He was a key figure in the acid jazz movement, and has been described as "The Godfather of Neo Soul". He was best known for his compositions "Everybody Loves the Sunshine", "Running Away", and "Freaky Deaky" and others that charted in the 1970s. At one time, Ayers was listed among the performers whose music was most often sampled by rappers.

Bataan Nitollano, also known as Joe Bataan, is a Filipino-American Latin soul singer, songwriter and musician best known world-wide and in the Hispanic and Latino music scene as the "King of Latin Soul".

Maceo Parker is an American funk and soul jazz saxophonist, best known for his work with James Brown in the 1960s, Parliament-Funkadelic in the 1970s and Prince in the 2000s. Parker was a prominent soloist on many of Brown's hit recordings, and a key part of his band, playing alto, tenor and baritone saxophones. Since the early 1990s, he has toured under his own name.

Lafayette Afro Rock Band was an American funk band formed in Roosevelt, Long Island, New York in 1970. Shortly after their formation, they relocated to France. Though little-known in their native United States during their recording period, they have since become celebrated as one of the standout funk bands of the 1970s and are particularly noted for their use of break beats. The band also recorded under the names Ice, Crispy & Co., Captain Dax, and others.

The J.B.'s was James Brown's band from 1970 through the early 1980s. On records, the band was sometimes billed under alternate names such as Fred Wesley and the JBs, The James Brown Soul Train, Maceo and the Macks, A.A.B.B., Fred Wesley and the New JBs, The First Family, and The Last Word. In addition to backing Brown, the J.B.'s played behind Bobby Byrd, Lyn Collins, and other singers associated with the James Brown Revue, and performed and recorded as a self-contained group. In 2015, they were nominated for induction into the Rock and Roll Hall of Fame but failed to be inducted and can be considered for Musical Excellence in the future. They have been eligible since 1995.

Marcus Ramone Cooper Sr, better known by his stage name Pleasure P, is an American R&B singer who experienced success as a member of the group Pretty Ricky before embarking on a solo career in 2007. His 2008 debut solo single "Did You Wrong" peaked at number 90 on the Billboard Hot 100 while follow-up singles—"Boyfriend #2" and "Under" peaked at numbers 42 and 78 respectively—the former of which remains his highest charting song on the Hot 100. All three preceded the release of his debut studio album The Introduction of Marcus Cooper (2009), which peaked at number 10 on the Billboard 200 and earned him a Grammy nomination for Best Contemporary R&B Album at the 52nd Annual Grammy Awards.