Artists like Look What You Made Me Do

"Shake It Off" is a song by the American singer-songwriter Taylor Swift and the lead single from her fifth studio album, 1989 (2014). She wrote the lyrics by herself and composed the melody with the song's producers, Max Martin and Shellback. The lyrics express Swift's disinterest in her detractors' negative remarks, inspired by her experience with media scrutiny. An uptempo dance-pop song, "Shake It Off" features a looping drum beat, a Mellotron-based saxophone line, and a handclap-accented bridge. Big Machine Records released it on August 18, 2014, to promote 1989 as Swift's first pop album after her previous country-oriented image and sound.

"Bad Romance" is a song by American singer-songwriter Lady Gaga from her third extended play (EP), The Fame Monster (2009)—the reissue of her debut studio album, The Fame (2008). Following an unauthorized demo leak, Gaga premiered the final version of the song during Alexander McQueen's 2010 Paris Fashion Week show in October 2009. Written and co-produced by Gaga alongside Moroccan-Swedish record producer RedOne, "Bad Romance" was released as the lead single from The Fame Monster on October 19, 2009. Musically, it is an electropop, dance-pop and dark pop track with a spoken bridge and a hook featuring nonsense syllables. Inspired by German house and techno music, the song was developed as an experimental pop record. Lyrically, Gaga drew from the paranoia she experienced while on tour and wrote about her attraction to unhealthy romantic relationships.

"Out of the Woods" is a song by the American singer-songwriter Taylor Swift from her fifth studio album, 1989 (2014). Swift wrote and produced the song with Jack Antonoff. With lyrics inspired by a failed relationship and the ensuing anxieties that Swift experienced, "Out of the Woods" is a synth-pop song with elements of Eurodance and indietronica and features heavy synthesizers, looping drums, and layered background vocals.

"We Are Never Ever Getting Back Together" is a song by American singer-songwriter Taylor Swift from her fourth studio album, Red (2012). It was released as the album's lead single on August 13, 2012, by Big Machine Records. Written and produced by Swift, Max Martin, and Shellback, "We Are Never Ever Getting Back Together" is an upbeat pop song that features synthesizers, twangy processed guitar riffs, bass drums, and a spoken-word bridge. Its lyrics express Swift's frustration with an ex-lover who wants to rekindle their relationship. An alternate version was released to US country radio on August 21, 2012.

"What Is Love" is a song by Trinidadian singer Haddaway, released as his debut single from his debut album, The Album (1993). The song, both written and produced by Dee Dee Halligan and Karin Hartmann-Eisenblätter, was released by Coconut Records in January 1993. It was a hit across Europe, becoming a number-one single in at least 13 countries and reaching number two in Germany, Sweden and the United Kingdom. Outside Europe, the single peaked at number 11 in the United States, number 12 in Australia, number 17 in Canada, and number 48 in New Zealand.

"Sweet but Psycho" is the debut single by American singer-songwriter Ava Max, released on August 17, 2018, through Atlantic Records. It is included on her debut studio album Heaven & Hell (2020). The song was written by Max, Madison Love, TIX, Cook Classics, and the producer Cirkut. "Sweet but Psycho" is a pop, dance-pop, electropop, and synth-pop song with lyrics about the perception of a young woman. The song's title was inspired by frequent interactions between Max and her parents. It received mixed to positive reviews from music critics, who praised its upbeat sound and chorus, but criticized its production.

"I Knew You Were Trouble" is a song by the American singer-songwriter Taylor Swift from her fourth studio album, Red (2012). She wrote it with its producers, Max Martin and Shellback. A dubstep and pop track, "I Knew You Were Trouble" has a production based around electric guitars and synthesizers, accentuated its refrain with a wobble bass and Swift's distorted vocals; critics found the dubstep production a radical departure from Swift's previous country pop sounds. In the lyrics, the narrator blames herself for not recognizing the warning signs of a past toxic relationship.