Artists like Mable John

The Mar-Keys were an American studio session band for Stax Records, in Memphis, Tennessee, in the 1960s. Formed in 1958 as the first house band for the label, their backing music formed the foundation for the early 1960s Stax sound.

James C Hughes is an English bassist who has played with many punk rock and new wave bands, and whose career as a rock musician and writer continues to this day.

Peylia Marsema Balinton, known professionally as Sugar Pie DeSanto, was an American R&B singer and dancer, whose career in music flourished in the 1950s and 1960s.

The Contours are an American rhythm and blues vocal group. They recorded for Motown Records. They are known for their 1962 hit single "Do You Love Me", which sold over 1 million copies and became a major hit again in 1988.

The Bar-Kays is an American funk band formed in 1964. The band had dozens of charting singles from the 1960s to the 1980s, including "Soul Finger" in 1967, "Son of Shaft" in 1972, and "Boogie Body Land" in 1980. The Bar-Kays also served as the backing band for a variety of singers, including Isaac Hayes and Otis Redding.

Martha and the Vandellas were an American girl group formed in Detroit, Michigan, in 1957. The group achieved fame in the 1960s as a major act for Motown Records. Formed by friends Annette Beard, Rosalind Ashford and Gloria Williams, Martha Reeves eventually joined the group, and she became its lead vocalist after Williams's departure in 1962. The group signed with Gordy Records, a subsidiary of Motown.

The Four Tops are an American vocal group formed in Detroit, Michigan, in 1953 as the Four Aims. They were one of the most commercially successful American pop music groups of the 1960s and helped propel Motown Records to international fame. The group's repertoire has incorporated elements of soul, R&B, disco, adult contemporary, doo-wop, jazz, and show tunes. Lead singer Levi Stubbs, along with backing vocalists Abdul "Duke" Fakir, Renaldo "Obie" Benson and Lawrence Payton remained together in the group for more than four decades, performing until 1997 without a change in personnel. Along with fellow Motown groups the Miracles, the Marvelettes, Martha and the Vandellas, the Temptations, and the Supremes, the Four Tops helped to establish the "Motown sound"; pop-friendly soul and R&B with a clean, polished production quality. They were notable for having Stubbs, a baritone, as their lead singer, whereas most other male and mixed vocal groups of the time were fronted by tenors.

Autry DeWalt Mixon Jr., known professionally as Junior Walker, was an American multi-instrumentalist and vocalist who recorded for Motown during the 1960s. He also performed as a session and live-performing saxophonist with the band Foreigner during the 1980s.

Charles Edwin Hatcher, known by his stage name Edwin Starr, was an American singer and songwriter. He is best remembered for his Norman Whitfield-produced Motown singles of the 1970s, most notably the number-one hit "War".

Marvin Earl Johnson was an American R&B singer, songwriter and pianist. He was influential in the development of the Motown style of music, primarily for the song "Come to Me," which was the first record issued by Tamla Records, the precursor to the famous label.

Betty Jean Everett was an American soul singer and pianist, best known for her biggest hit single, the million-selling "Shoop Shoop Song ", and her duet "Let It Be Me" with Jerry Butler.

Justine Washington, usually credited as Baby Washington, but credited on some early records as Jeanette (Baby) Washington, is an American soul music vocalist, who had 16 Billboard R&B chart entries in 15 years, most of them during the 1960s. Her biggest hit, "That's How Heartaches Are Made" in 1963, also entered the Top 40 on the Billboard Hot 100.