Artists like Mr. Brightside

"Hey Ya!" is a song by American hip hop duo Outkast, performed by its member André 3000, who wrote and produced the song. Along with "The Way You Move", which was recorded by Outkast's other member Big Boi and featured Sleepy Brown, "Hey Ya!" was released by Arista Records as the second single from the duo's fifth album, Speakerboxxx/The Love Below, on August 25, 2003. The track became a commercial success, reaching number one in the United States, Australia, Canada, the Czech Republic, Norway, and Sweden. "Hey Ya!" received critical acclaim upon release, and is consistently ranked as one of the greatest songs of the 2000s. The song was ranked number 10 in Rolling Stone's 2021 list of the "500 Greatest Songs of All Time".

"Take Me to Church" is a song by Irish singer-songwriter Hozier. It was released as his debut single on 13 September 2013, originally featuring on his extended play of the same name, before being featured as the opening track of his 2014 self-titled debut album. A struggling musician at the time of its composition, Hozier wrote and recorded the song in the attic of his parents' home in County Wicklow. A mid-tempo soul song, its lyrics use religious terminology to describe a romantic relationship in the face of Church discrimination. The song caught the attention of Rubyworks Records, where producer Rob Kirwan collaborated with Hozier on the final recording.

"Bad Romance" is a song by American singer-songwriter Lady Gaga from her third extended play (EP), The Fame Monster (2009)—the reissue of her debut studio album, The Fame (2008). Following an unauthorized demo leak, Gaga premiered the final version of the song during Alexander McQueen's 2010 Paris Fashion Week show in October 2009. Written and co-produced by Gaga alongside Moroccan-Swedish record producer RedOne, "Bad Romance" was released as the lead single from The Fame Monster on October 19, 2009. Musically, it is an electropop, dance-pop and dark pop track with a spoken bridge and a hook featuring nonsense syllables. Inspired by German house and techno music, the song was developed as an experimental pop record. Lyrically, Gaga drew from the paranoia she experienced while on tour and wrote about her attraction to unhealthy romantic relationships.