Artists like Shadow of the Day

"What I've Done" is a song by American rock band Linkin Park. It was released as the first single from their third studio album, Minutes to Midnight (2007), and is the sixth track. The song was released as a digital download and radio single on April 2, 2007, and as a CD single on April 30. The live version of "What I've Done" from Road to Revolution: Live at Milton Keynes was nominated for Best Hard Rock Performance at the 52nd Grammy Awards, but did not win. It serves as the end credits track of the 2007 science fiction film Transformers, also appearing on its soundtrack. Being certified six times platinum by the RIAA, it is the band's most commercially successful single in terms of pure sales, and reached number 7 on the Billboard Hot 100. In January 2025, the song became the fourth by the band to surpass one billion streams on Spotify.

"Leave Out All the Rest" is a single by the American rock band Linkin Park, released as the fifth and final single from their third album, Minutes to Midnight. Because of the song's popularity of digital sales during the release week of the album, the power ballad charted in the Billboard Pop 100 for that week. It was featured on the original motion picture soundtrack for the 2008 film Twilight during the end credits. On the album, the song segues into "Bleed It Out". The single was released on July 15, 2008.

"New Divide" is a song by American rock band Linkin Park. The song was released as a standalone single, and was also recorded specifically for the soundtrack to Michael Bay's film Transformers: Revenge of the Fallen. It was written by the band and produced by band member Mike Shinoda. It also serves as the film's main theme and was released as the soundtrack's lead single on May 18, 2009, by Reprise Records.

My December is the third studio album by American singer-songwriter Kelly Clarkson. It was released on June 22, 2007, through RCA Records. Produced by David Kahne, the album was largely written and composed by Clarkson, who described the process as "free therapy" inspired by personal struggles. She maintained creative control despite reported conflicts with Sony BMG head Clive Davis, who allegedly sought major changes and a more commercial sound. Clarkson later faced media scrutiny over tour cancellations and label disputes but described the controversy as "blown way out of proportion."