Artists like Tormato

Time and a Word is the second studio album by English rock band Yes, first released in the UK on 24 July 1970 and later in the US on 2 November 1970 by Atlantic Records. It was put together several months after the release of the band's 1969 eponymous debut, during which they continued to tour heavily and recorded Time and a Word between shows. Yes continued to follow their early musical direction of performing original material and cover versions of songs by pop, jazz, and folk artists. A small orchestra of brass and string session musicians was used on most of the album's songs.

Going for the One is the eighth studio album by English progressive rock band Yes, released on 12 July 1977 by Atlantic Records. After taking a break in activity in 1975 for each member to release a solo album, and their 1976 tour of the United States and Canada, the band relocated to Montreux, Switzerland to record their next studio album. During rehearsals, keyboardist Patrick Moraz left the group, which marked the return of Rick Wakeman who had left to pursue a solo career after differences surrounding Tales from Topographic Oceans (1973). In a departure from their previous albums, Going for the One, with the exception of the fifteen-minute "Awaken", features shorter and more direct songs without an overarching concept, and saw Yes record with new engineering personnel and cover artists.

Big Generator is the twelfth studio album by English progressive rock band Yes, released on 28 September 1987 by Atco Records, their last album of new music for the label. After touring in support of their previous album, 90125 (1983), which saw the band move from progressive rock towards a pop-oriented and commercially accessible direction, Yes started work on a follow-up in 1985 with producer Trevor Horn. It was a laborious album to make; recording began at Carimate, Italy, but internal and creative differences resulted in production to resume in London, where Horn ended his time with the band due to continuing problems. The album was completed in Los Angeles in 1987 by Trevor Rabin and producer Paul DeVilliers.