Legacy of Kris Kristofferson

Leith Ross is a Canadian indie rock singer-songwriter and guitarist, based in Winnipeg, Manitoba. They recorded their debut EP, Motherwell (2020), while studying at Humber College, and subsequently found success on TikTok, most prominently with the song "We'll Never Have Sex" in August 2021. In 2022, they were signed to Interscope and Republic Records. They have toured both nationally and internationally with Lord Huron, Andy Shauf, and Helena Deland, and received the inaugural John Prine Songwriter Fellowship at the 2022 Newport Folk Festival. Their debut album, To Learn, was released on May 19, 2023.

Gary Gene Watson is an American country music singer. He is most famous for his 1975 hit "Love in the Hot Afternoon", his 1981 number-one hit "Fourteen Carat Mind", and his signature 1979 song "Farewell Party". Watson's long career has included five number-one hits, 21 top 10s, and 48 charted singles.

Charles Wesley Godwin is an American country-folk musician from West Virginia.

Ashley Dyan McBryde is an American country music singer–songwriter. She grew up in Arkansas and she was drawn to various types of music from a young age. She also developed a passion for writing songs and later moved to Nashville to pursue a music career.

Marie Louise Buch is a Danish musician, composer, and producer. She released her debut album Skinned in 2020 and her sophomore album Suntub in 2023, both to critical acclaim.

Dave Dudley was an American country music singer best known for his truck-driving country anthems of the 1960s and 1970s and his somewhat-slurred bass. His signature song was "Six Days on the Road", and he is also remembered for "Vietnam Blues", "Truck Drivin' Son-of-a-Gun", and "Me and Ol' C.B.". His other recordings include a duet with Tom T. Hall, "Day Drinking", and his own top-10 hit, "Fireball Rolled a Seven", supposedly based on the career and death of Edward Glenn "Fireball" Roberts.

"Me and Bobby McGee" is a song written by American singer-songwriter Kris Kristofferson and originally performed by Roger Miller. Fred Foster shares the writing credit, as Kristofferson wrote the song based on a suggestion from Foster. A posthumously released version by Janis Joplin topped the Billboard Hot 100 in 1971, making the song the second posthumously released No. 1 single in U.S. chart history after "(Sittin' On) The Dock of the Bay" by Otis Redding. Gordon Lightfoot had previously released a version that reached number 1 on the Canadian country charts in 1970. Jerry Lee Lewis released a version that was number 1 on the country charts in December 1971/January 1972 as the "B" side of "Would You Take Another Chance on Me". Billboard ranked Joplin's version as the No. 11 song for 1971.