Legacy of Nat Adderley
Artists and genres Nat Adderley directly influenced — one hop forward on the family tree of music.
Idris MuhammadartistIdris Muhammad was an American jazz drummer and bandleader. He had an extensive career performing jazz, funk, R&B, and soul music and recorded with musicians such as Ahmad Jamal, Lou Donaldson, Pharoah Sanders, Bob James, and Tete Montoliu.
The Paul Butterfield Blues BandartistThe Paul Butterfield Blues Band was an American blues and blues-rock band from Chicago. Formed in the summer of 1963, the group originally featured eponymous vocalist and harmonicist Paul Butterfield, guitarist Elvin Bishop, bassist Jerome Arnold, and drummer Sam Lay. The band added guitarist Mike Bloomfield and keyboardist Mark Naftalin before recording their self-titled debut album, which was released in October 1965. The founding sextet were inducted into the Rock and Roll Hall of Fame in 2015, along with Billy Davenport, their drummer on their second album, East-West.
Rome FortuneartistJerome Raheem "Rome" Fortune is an American rapper. who rose to prominence after the release of his Beautiful Pimp mixtape in 2013. Influenced by a diverse range of musical traditions, Fortune has released 6 EPs and has collaborated with a number of artists from the Atlanta hip hop scene, including OG Maco, Dun Deal, and ILoveMakonnen.
Oscar Brown Jr.artist
Ellis Marsalis Jr.artist
Sounds of SilenceartistSounds of Silence is the second studio album by the American folk rock duo Simon & Garfunkel, released on January 17, 1966. The album's title is a slight modification of the title of the duo's first major hit, "The Sound of Silence", which originally was released as "The Sounds of Silence". The song had earlier been released in an acoustic version on the album Wednesday Morning, 3 A.M., and later on the soundtrack to the movie The Graduate. Without the knowledge of Paul Simon or Art Garfunkel, electric guitars, bass and drums were overdubbed under the direction of Columbia Records staff producer Tom Wilson on June 15, 1965. This new version was released as a single in September 1965, and opens the album.