Legacy of The J.B.'s
Artists and genres The J.B.'s directly influenced — one hop forward on the family tree of music.
Average White BandartistThe Average White Band were a Scottish funk and R&B band that had a series of soul and disco hits between 1974 and 1980. They were best known for their million-selling instrumental track "Pick Up the Pieces", and their albums AWB and Cut the Cake. The band name was initially proposed by Bonnie Bramlett. They have influenced others, such as the Brand New Heavies, and been sampled by various musicians, including the Beastie Boys, Public Enemy, TLC, the Beatnuts, Too Short, Ice Cube, Eric B. & Rakim, Nas, A Tribe Called Quest, Christina Milian, and Arrested Development, making them the 15th most sampled act in history.
Bobby Byrdartist
Lyn CollinsartistGloria Lavern Collins, better known as Lyn Collins, was an American soul singer best known for working with James Brown in the 1970s and for the influential 1972 funk single, "Think ".
George Clintonartist
Parliament-Funkadelicartist
Bootsy's Rubber BandartistWilliam Earl "Bootsy" Collins is an American bass guitarist, singer, and songwriter. Rising to prominence with James Brown in the early 1970s before joining the Parliament-Funkadelic collective, Collins established himself as one of the leading names and innovators in funk music with his driving basslines and humorous vocals. He later formed his own P-Funk side project known as 'Bootsy's Rubber Band'. He has been a frequent collaborator with musicians from a variety of genres, including dance music, electronic big beat, and alternative metal (Praxis), among others. In 1997 he was inducted into the Rock and Roll Hall of Fame, along with 15 other members of Parliament-Funkadelic. In 2020, Rolling Stone ranked Collins number four in its list of the 50 greatest bassists of all time.
Bernie Worrellartist
Jamiroquaiartist
It Takes a Nation of Millions to Hold Us BackartistIt Takes a Nation of Millions to Hold Us Back is the second studio album by American hip hop group Public Enemy, released on June 28, 1988, by Def Jam Recordings and Columbia Records. It was recorded from 1987 to 1988 in sessions at Chung King Studios, Greene St. Recording, and Sabella Studios in New York.