Roots of Wes Montgomery

The Champs were an American rock and roll band, most famous for their Latin-tinged 1958 instrumental single "Tequila". The group took their name from that of Gene Autry's horse, Champion, and was formed by studio executives at Autry's Challenge Records to record a B-side for the Dave Burgess single "Train to Nowhere". The intended throwaway track became more famous than its A-side, as "Tequila" went to number one in just three weeks, and the band became the first group to go to the top spot with an instrumental that was their first release. The song was recorded at Gold Star Studios in fall 1957, and in 1959 won the Grammy Award for Best R&B Performance. It sold over one million copies, and was awarded a gold disc by the Recording Industry Association of America.

Kind of Blue is a studio album by American jazz musician Miles Davis, released on August 17, 1959, by Columbia Records. For this album, Davis led a sextet featuring saxophonists John Coltrane and Julian "Cannonball" Adderley, pianist Bill Evans, bassist Paul Chambers, and drummer Jimmy Cobb, with new band pianist Wynton Kelly replacing Evans on "Freddie Freeloader". The album was recorded at Columbia's 30th Street Studio in New York City in two sessions on March 2 and April 22, 1959.

Oliver Edward Nelson was an American jazz saxophonist, clarinetist, arranger, composer, and bandleader. His 1961 Impulse! album The Blues and the Abstract Truth (1961) is regarded as one of the most significant recordings of its era. The centerpiece of the album is the definitive version of Nelson's composition, "Stolen Moments". Other important recordings from the 1960s are the albums More Blues and the Abstract Truth (1964) and Sound Pieces (1966), both also on Impulse!.

The Miles Davis Quintet was an American jazz band from 1955 to early 1969 led by Miles Davis. The quintet underwent frequent personnel changes toward its metamorphosis into a different ensemble in 1969. Most references pertain to two distinct and relatively stable bands: the First Great Quintet from 1955 to 1958, and the Second Great Quintet from late 1964 to early 1969, Davis being the only constant throughout.