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Artist

Come On Over

Country
Country

Come On Over is a Country act. Their sound grew out of Norman Greenbaum, Queen, The Police, Michael Bolton and Patsy Cline. Those roots explain a lot about how Come On Over arrange songs and choose their tones. Their influence carried into Bryan White and Céline Dion, where the same ideas turn up rearranged for a later generation. Altogether the chart holds 7 connections around Come On Over, reaching back through Norman Greenbaum and forward to Bryan White. Follow any of those threads to keep travelling the influence between bands and genres on Starverb.

Background

Come On Over is the third studio album by Canadian singer-songwriter Shania Twain. Mercury Records in North America released it on November 4, 1997. Similar to her work on its predecessor, The Woman in Me (1995), Twain entirely collaborated with producer and then-husband Robert John "Mutt" Lange. With both having busy schedules, they often wrote apart and later intertwined their ideas. Twain wanted to improve her songwriting skills and write a conversational album reflecting her personality and beliefs. The resulting songs explore themes of romance and female empowerment, addressed with humour.

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Roots — what shaped themLegacy — who they shapedKindred — same orbit
Come On OverNorman GreenbaumQueenThe PoliceMichael BoltonPatsy ClineBryan WhiteCéline Dion

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Come On Over connections

Come On Over grew out of Norman Greenbaum, Queen, The Police and Michael Bolton, went on to shape Bryan White and Céline Dion. 7 connections mapped across roots, kindred and legacy.

Who influenced Come On Over

Roots5

Sounds and acts that shaped Come On Over.

Bands Come On Over shaped

Legacy2

Where the influence of Come On Over travelled next.

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