Artists like Maceo

Louella "Spanky" Wilson is an American soul, funk and jazz vocalist, who has performed internationally and recorded several albums since the late 1960s.

Parliament-Funkadelic is an American music collective of rotating musicians headed by George Clinton, primarily consisting of the funk bands Parliament and Funkadelic, both active since the 1960s. With an eclectic style drawing on psychedelia, outlandish fashion, and surreal humor, they have released albums such as Maggot Brain (1971), Mothership Connection (1975), and One Nation Under a Groove (1978) to critical praise, and scored charting hits with singles such as "Tear the Roof Off the Sucker" (1975) and "Flash Light" (1978). Overall, the collective achieved thirteen top ten hits in the American R&B music charts between 1967 and 1983, including six number one hits. Their work has had an influential effect on subsequent funk, post-punk, hip-hop, and techno artists of the 1980s and 1990s, while their collective mythology has helped pioneer Afrofuturism.

Papa Grows Funk is an American funk band from New Orleans, Louisiana. The band was started by frontman John "Papa" Gros in early 2000, developing from a series of Monday night jam sessions helmed by Gros at New Orleans’ Maple Leaf Bar. Gros would invite some friends down to play, and the impromptu jams became a common bond for a handful of musicians, including guitarist June Yamagishi, sax player Jason Mingledorf, bassist Marc Pero and drummer Jeffery "Jellybean" Alexander, who now make up Papa Grows Funk.

Clarence Henry Reid was an American musician, songwriter and producer also known by the stage name and alternate persona Blowfly. He released over 25 parody albums as Blowfly and another three albums as Clarence Reid.

James Timothy Shaw, known as The Mighty Hannibal, was an American R&B, soul, and funk singer, songwriter, and record producer. Known for his showmanship, and outlandish costumes often incorporating a pink turban, several of his songs carried social or political themes. His biggest hit was "Hymn No. 5", a commentary on the effects of the Vietnam War on servicemen, which was banned from being played on the radio.