Artists like Nina Hagen

Adam and the Ants were an English rock band that formed in London in 1977. Two versions of the band, both fronted by Adam Ant, existed between 1977 and 1982. The first phase began when the band were founded in May 1977 and were called the Ants until November of that year. They later changed their style from punk rock to post-punk and new wave and released one album. The final line-up of this version consisted of Dave Barbarossa, Matthew Ashman, and Leigh Gorman—all of whom left the band in January 1980 at the suggestion of manager Malcolm McLaren to form Bow Wow Wow.

The Au Pairs are a British post-punk band that formed in Birmingham in 1978 and continued until 1983 on their first run. The band reformed in 2025, with Lesley Woods as the only original member. They produced two studio albums and three singles. Their songs were said to have "contempt for the cliches of contemporary sexual politics" and their music has been compared to that of the Gang of Four and the Young Marble Giants. The band was fronted by Lesley Woods, who was once described as "one of the most striking women in British rock".

Les Rita Mitsouko were a French pop rock group formed by Fred Chichin and Catherine Ringer. The duo first performed as Rita Mitsouko at Gibus Club in Paris in 1980. They went on to become one of the most acclaimed musical acts in France. "Marcia Baila", their debut single produced by Conny Plank, went to number 2 in the French singles chart in 1984. They then started a collaboration with producer Tony Visconti on two albums: the No Comprendo (1986) and Marc & Robert (1988). "Singing in the Shower", sung as a duet with Sparks, was a commercial success in France and was then heavily played on US dance radio stations in 1988. Iggy Pop also collaborated with them on 1993's Système D, duetting with Ringer on "My Love Is Bad".

Ian Robins Dury was an English singer, songwriter and actor best remembered as the frontman of Ian Dury and the Blockheads. Described by The Guardian as "one of few true originals of the English music scene", Dury drew from music hall and punk traditions, often incorporating observational humour and word play in his lyrics.