Artists like Shonen Knife

Puffy AmiYumi, or PUFFY, are a Japanese pop rock duo formed in Tokyo in 1995, consisting of singers Ami Ōnuki and Yumi Yoshimura. In the United States, they adopted the name Puffy AmiYumi to avoid legal naming conflicts with Sean Combs, who also performed under the name Puffy. The duo sings in Japanese, English, and Mandarin Chinese.

Otoboke Beaver is a Japanese punk rock band from Kyoto, formed in 2009. The band currently consists of singer Accorinrin, guitarist Yoyoyoshie, bassist Hirochan, and drummer Leo. Their most recent album Super Champon was released in May 2022.

Number Girl was a Japanese rock band from Fukuoka Prefecture, formed in August 1995 by vocalist and guitarist Shutoku Mukai. They first disbanded in 2002 following bassist Kentaro Nakao's departure from the band.

X-Ray Spex were an English punk rock band formed in 1976 in London. They were led by Poly Styrene, who formed the band after watching the Sex Pistols live. Styrene was one of the most distinctive personalities in the British punk movement, because of her singing style and atypical and unorthodox appearance, taking influences from reggae as well as punk. Her lyrics primarily dealt with anti-consumerism and anti-capitalism, and were an influence on the 1990s riot grrrl movement. The line-up also included saxophone, which was little used by other punk bands.

The Pillows were a Japanese alternative rock band formed in Hokkaido in 1989. Originally a quartet, vocalist and rhythm guitarist Sawao Yamanaka, lead guitarist Yoshiaki Manabe and drummer Shinichiro Sato continued the band as a trio for another 33 years, following the departure of bassist Kenji Ueda in 1992. They are best known in the West for providing the soundtrack for the anime series FLCL. The Pillows suddenly announced their disbandment at the end of January 2025, and Sato died from cancer in March 2026.

Zazen Boys is a Japanese rock band formed by former Number Girl guitarist and vocalist Shutoku Mukai. Stylistically, their music consists mostly of complex rhythmic songs reminiscent of math rock, as well as extended improvisational songs during live performances.