Legacy of Can

Joy Division were an English rock band formed in Salford in 1976. The group consisted of vocalist, guitarist and lyricist Ian Curtis, guitarist and keyboardist Bernard Sumner, bassist Peter Hook and drummer Stephen Morris.

Loop are an English rock band, formed in 1986 by Robert Hampson in Croydon. The group topped the UK independent charts with their albums Fade Out (1989) and A Gilded Eternity (1990). Their dissonant "trance-rock" sound drew on the work of artists like the Stooges and Can, and helped to resurrect the concept of space rock in the late 1980s.

Vinyl Williams is an American neo-psychedelic band led by Los Angeles-based multimedia artist and musician Lionel Williams, active since 2007. Vinyl Williams has released nine studio albums.

The Unforgettable Fire is the fourth studio album by Irish rock band U2. It was produced by Brian Eno and Daniel Lanois, and released on 1 October 1984 by Island Records. The band wanted to pursue a new musical direction following the harder-hitting rock of their previous album, War (1983). As a result, they employed Eno and Lanois to produce and assist in their experimentation with a more ambient sound. The resulting change in direction was at the time the band's most dramatic. The album's title is a reference to "The Unforgettable Fire", an art exhibit about the atomic bombing of Hiroshima.

OK Computer is the third studio album by the English rock band Radiohead, released on 21 May 1997. With their producer, Nigel Godrich, Radiohead recorded most of OK Computer in their rehearsal space in Oxfordshire and the historic mansion of St Catherine's Court in Bath in 1996 and early 1997. They distanced themselves from the guitar-centred, lyrically introspective style of their previous album, The Bends. OK Computer's abstract lyrics, densely layered sound and eclectic influences laid the groundwork for Radiohead's later, more experimental work.

Hail to the Thief is the sixth studio album by the English rock band Radiohead. It was released on 9 June 2003 through Parlophone internationally, and through Capitol Records in the United States on 10 June. It was the last album released under Radiohead's record contract with EMI, the parent company of Parlophone and Capitol.

Kid A is the fourth studio album by the English rock band Radiohead, released on 2 October 2000 by Parlophone. It was recorded with their producer, Nigel Godrich, in Paris, Copenhagen, Gloucestershire and Oxfordshire. Departing from their earlier sound, Radiohead incorporated influences from electronic music, krautrock, jazz and 20th-century classical music, with a wider range of instruments and effects. The singer, Thom Yorke, wrote abstract lyrics, cutting up phrases and assembling them at random.

Muslimgauze was the main musical project of Bryn Jones, a British experimental musician who was influenced by conflicts and history in the Muslim world, often with an emphasis on the Israeli–Palestinian conflict. With dozens of albums released under the Muslimgauze name, Jones was prolific, but he never achieved mainstream success. His music, categorized as an example of ethnic electronica, has been described by one critic as "among the most startling and unique in the noise underground".

Flower Boy is the fifth studio album by the American rapper and producer Tyler, the Creator, released on July 21, 2017, by Columbia Records. Produced entirely by Tyler, the album features guest vocals from a range of artists, including Frank Ocean, ASAP Rocky, Anna of the North, Lil Wayne, Kali Uchis, Steve Lacy, Estelle, Jaden Smith and Rex Orange County.

Delia Ann Derbyshire was an English musician and composer of electronic music. She worked with the BBC Radiophonic Workshop during the 1960s, including an electronic arrangement of the theme music to the British science-fiction television series Doctor Who. She has been referred to as "the unsung heroine of British electronic music", having influenced musicians including Aphex Twin, the Chemical Brothers and Paul Hartnoll of Orbital.

Screamadelica is the third studio album by Scottish rock band Primal Scream. It was first released on 23 September 1991 in the United Kingdom by Creation Records and on 8 October 1991 in the United States by Sire Records. The album marked a significant departure from the band's early indie rock sound, drawing inspiration from the blossoming house music scene and associated drugs such as LSD and MDMA. Much of the album's production was handled by acid house DJ Andrew Weatherall and engineer Hugo Nicolson, who remixed original recordings made by the band into dance-oriented tracks.