Legacy of Claude Debussy

Heitor Villa-Lobos was a Brazilian composer, conductor, cellist, and classical guitarist described as "the single most significant creative figure in 20th-century Brazilian art music". Villa-Lobos has globally become one of the most recognizable South American composers in music history. A prolific composer, he wrote many orchestral, chamber, instrumental and vocal works, totaling over 2,000 pieces by his death in 1959. His music was influenced by both Brazilian folk music and stylistic elements from the European classical tradition, as exemplified by his Bachianas Brasileiras and his Chôros. His Etudes for classical guitar (1929), dedicated to Andrés Segovia, and his 5 Preludes (1940), dedicated to his spouse Arminda Neves d'Almeida, a.k.a. "Mindinha", are important works in the classical guitar repertory.

Sofiane Pamart is a French pianist. He is known for contributing to the French rap scene and collaborating with Formula One driver Charles Leclerc. He has collaborated with several French and Belgian rappers, including Koba LaD, Vald, Maes, Sneazzy, Médine, and Dinos.

Samuel Thomas Shepherd, known professionally as Floating Points, is a British electronic music producer, DJ, and musician. He is the founder of Pluto Records, co-founder of Eglo Records and leader of a 16-piece group called Floating Points Ensemble.

Ferruccio Dante Michelangiolo Benvenuto Busoni was an Italian composer, pianist, conductor, editor, writer, and teacher. His international career and reputation led him to work closely with many of the leading musicians, artists and literary figures of his time, and he was a sought-after keyboard instructor and a teacher of composition.

Benjamin Sainte-Clémentine, known as Benjamin Clementine, is a British actor, composer, and musician.

Weasels Ripped My Flesh is the eighth album by the American rock group the Mothers of Invention, and the tenth overall by Frank Zappa, released in 1970. Following the Mothers' late 1969 split, Zappa assembled two albums – Burnt Weeny Sandwich and Weasels Ripped My Flesh – from unreleased studio and live recordings by the band, as well as some outtakes/leftovers from his 1969 solo album Hot Rats. While Burnt Weeny Sandwich focuses mostly on studio recordings and tightly arranged compositions, Weasels Ripped My Flesh focuses mostly on live recordings and loose/improvisational pieces.