Legacy of Edwin Starr

Utah Saints are an English electronic music duo consisting of members Jez Willis and Tim Garbutt. The band had three top-ten and another five top-40 singles on the UK Singles Chart in the 1990s, as well as number-one dance tracks in the UK and US. They were notable for pioneering use of sampling technology, in particular, their practice of manipulating samples from mainstream pop, rock, R&B and soul songs and combining them with contrasting dance beats, using the samples in a new context. The band wrote, produced and mixed all of their own music. The duo were joined on stage by additional musicians when they played live from 1991 to 2001. They were one of the first electronic groups to play as a live collective and supported both the Shamen and U2 live at 10 stadium shows. Since then the duo have performed live sets themselves.

Black Merda is an American rock band from Detroit, Michigan active from the mid-1960s to the early 1970s and reuniting in 2005. The core band members are guitarist/vocalist Anthony Hawkins, bassist/guitarist/vocalist VC L. Veasey, and guitarist/vocalist Charles Hawkins, plus original drummer/vocalist Tyrone Hite. Hite was a native of Detroit; the Hawkins brothers and Veasey were all born in Lyon, Mississippi and came of age in Detroit.

R&G : The Masterpiece is the seventh studio album by American rapper Snoop Dogg. It was released on November 16, 2004, by Doggystyle Records, making its first on Star Trak Entertainment and Geffen Records. Recording sessions took place from November 2003 to September 2004 in each of several recording studios. The album's production was handled from The Neptunes, The Alchemist, Lil Jon, Hi-Tek, Warryn Campbell, and L.T. Hutton, among others.

Dirty Mind is the third studio album by the American singer-songwriter and musician Prince. It was released on October 8, 1980, by Warner Bros. Records.

All Directions is a 1972 album by The Temptations for the Gordy (Motown) label, produced by Norman Whitfield. It reached number two on the Billboard 200, making it the band's most successful non-collaborative album on the chart, and became their twelfth album to reach number one on the Top R&B Albums chart.