Legacy of Héctor Lavoe

Manuel Varet Marte, known as Vakero, is a Dominican singer and rapper, believed to be one of the most important acts of the Dominican urban music movement and one of the first to gain international exposure. Known for blending elements of punta, cumbia and merengue with Dominican urban and dembow music, he is heavily influenced by reggae and afro-pop with his characteristic style influenced by the rastafari movement.

Fulanito is an American musical group based in Washington Heights in New York City. The group combines traditional merengue with elements of other genres such as house, hip hop, and bachata among others. With over five million albums sold throughout the world, they were at one time the top selling act in Colombia, and were placed on other charts including those of Japan, Switzerland, United States, and Chile. Their name means "Little John Doe" in Spanish. Members of Fulanito had previously been in popular groups such as 740 Boyz and 2 in a Room.

Luis Ferdinand Vega Jr., a.k.a. "Little Louie" Vega, is an American DJ, record producer and remixer of Puerto Rican ancestry. He is one half of the Masters at Work musical production team.

Benito Antonio Martínez Ocasio, known professionally as Bad Bunny, is a Puerto Rican rapper, actor, singer-songwriter, and record producer. Dubbed the "King of Latin Trap", he is widely credited with helping Spanish-language rap reach mainstream global popularity and is considered one of the greatest Latino rappers of all time. Music critics have also noted Bad Bunny's role in broadening the international appeal of Latin urban music by incorporating elements of salsa, rock, and other Latin genres into his recordings.

Motomami is the third studio album by Spanish singer Rosalía. It was released on 18 March 2022 through Columbia Records. Rosalía enlisted producers Noah Goldstein, Michael Uzowuru, Dylan Wiggins and Pharrell Williams as well as longtime colleague El Guincho to create a concept album about her feelings during the past three years, including troubled times with fame, homesickness and isolation in the form of a collage of the singer's musical influences, especially in Latin music. Separated in two parts, it features guest vocals from the Weeknd, who sings in Spanish, and Tokischa, and is presented as Rosalía's "most personal and confessional album so far."

William Anthony Colón Román was an American salsa musician and social activist. He began his career as a trombonist but also sang, wrote, produced and acted. Colón was a pioneer of salsa music and a best-selling artist in the genre, having been a key figure in the beginnings of the New York City scene associated with Fania Records. He was also noteworthy for having assumed the gangster image in his album covers before it was culturally popular. From the 1980s on, he was at times deeply involved in the politics of New York City. His hit songs include "Aguanilé" with Hector Lavoe, "Tiburón", and "El gran varón".

Cheo Feliciano was a Puerto Rican singer and composer of salsa and bolero music. Feliciano was the owner of a recording company called "Coche Records". He was the first tropical singer to perform at the "Amira de la Rosa Theater" in Barranquilla, Colombia, and in 1987 he played the role of Roberto Clemente's father in the musical Clemente.

Celia Caridad Cruz Alfonso, known as Celia Cruz, was a Cuban-American singer and one of the most popular Latin artists of the 20th century. Cruz rose to fame in Cuba during the 1950s as a singer of guarachas, earning the nickname La Guarachera de Cuba. In the following decades, she became known internationally as the "Queen of Salsa" due to her contributions to Latin music. She sold over 30 million records, making her one of the best-selling Latin music artists.

Humberto "Tito" Nieves is a Puerto Rican musician who became one of the leading salsa singers of the 1980s and the early 1990s.

Víctor Manuel Ruiz Velázquez, known professionally as Víctor Manuelle, is a Puerto Rican salsa singer, known to his fans as El Sonero de la Juventud. He is identified primarily with salsa romántica or "salsa monga". Víctor Manuelle has neither recorded in English or in other languages, nor made a Latin pop album or any other genre, nor ventured into acting or politics, preferring to remain a musician grounded within salsa music and singing exclusively in Spanish.