Legacy of Michael Hutchence
Artists and genres Michael Hutchence directly influenced — one hop forward on the family tree of music.
INXSartist
NoiseworksartistNoiseworks are an Australian hard rock band formed in Sydney in 1986 with bass guitarist Steve Balbi, guitarist Stuart Fraser, drummer Kevin Nicol, keyboardist Justin Stanley and lead vocalist Jon Stevens. They had four Australian Top 10 albums, Noiseworks (1987), Touch (1988), Love Versus Money (1991) and Greatest Hits (1992). They produced three Top 10 singles, "Take Me Back", "Touch" and "Hot Chilli Woman" before disbanding in 1992. Reunion tours occurred in 1999, 2004, 2007–2008, 2011, 2013. The band later reformed in 2016 and in August 2022, released "Heart & Soul"; their first new song in 30 years. Noiseworks' fourth studio album, Evolution was released in November 2022.
Let's Get to ItartistLet's Get to It is the fourth studio album by Australian singer Kylie Minogue. It was the final studio album with Pete Waterman Limited (PWL), being released by the record label in the United Kingdom on 14 October 1991. Mushroom Records distributed the album in Australia on 25 November 1991. After Matt Aitken left the trio Stock Aitken Waterman (SAW) in early 1991, the remaining producers wanted to make another album with Minogue, although it was not a contractual obligation for her. Mike Stock and Pete Waterman agreed to share their songwriting credits with Minogue for the first time on six tracks. They spent months recording at PWL Studios, more time than any of her previous studio albums.
Better the Devil You Knowartist"Better the Devil You Know" is a song by Australian singer Kylie Minogue, taken from her third studio album Rhythm of Love (1990). The song was written and produced by Stock Aitken Waterman and was released as the album's lead single on 30 April 1990 by PWL and Mushroom Records. "Better the Devil You Know" is known as the song that re-invented Minogue with more sex appeal, as her previous albums were presented with her "girl next door" persona. Her music onwards presented a more independent approach.