Legacy of Reverend Gary Davis
Artists and genres Reverend Gary Davis directly influenced — one hop forward on the family tree of music.
Charlie ParrartistCharlie Parr is an American country blues musician. Born in Austin, Minnesota, he spent part of his childhood in Hollandale before starting his music career in Duluth. His influences include Charlie Patton, Bukka White, Reverend Gary Davis, Dave Van Ronk, Mississippi John Hurt, and his self-professed "hero" "Spider" John Koerner. He plays a Mule resonator, National resonator guitar, a fretless open-back banjo, and a twelve-string guitar, often in the Piedmont blues style. He is divorced from Emily Parr, who occasionally adds vocals to his music. He has two children.
AmberartistKeith "Mac" MacLeod, was an English musician who was a part of the Hertfordshire folk and blues scene from 1959 onwards. He played in St Albans alongside Mick Softley and Maddy Prior and toured with John Renbourn. Influences include Softley, Ramblin' Jack Elliott, Derroll Adams, Jesse Fuller, Big Bill Broonzy, Snooks Eaglin, Reverend Gary Davis and Davey Graham.
- The Chambers Brothersartist
The Chambers Brothers are an American psychedelic soul band, best known for their eleven-minute 1968 psychedelic soul hit "Time Has Come Today". The group was part of the wave of new music that integrated American blues and gospel traditions with modern psychedelic and rock elements. Their music has been kept alive through frequent use in film soundtracks. There were four brothers, though other musicians were also in the group.
Stefan Grossmanartist
David Brombergartist
Dave Van Ronkartist
Rory Blockartist
Bob Weirartist
Bob Dylanartist
Keb' Mo'artist
Jorma Kaukonenartist
F♯ A♯ ∞artistF♯ A♯ ∞ is the debut studio album by Canadian post-rock band Godspeed You! Black Emperor. It was first released on August 14, 1997, through Constellation Records on a single LP and on June 8, 1998, through Kranky on CD. The CD version and the LP version have substantial differences between them. Recorded at the Hotel2Tango in the Mile End of Montreal, the album, as became common for the band, is devoid of traditional lyrics and is mostly instrumental, featuring lengthy songs segmented into movements. It was initially released in limited quantities and distributed through live performances, developing a cult following via word of mouth.
Ralph McTellartist- Hot Tunaartist