Legacy of S. D. Burman

Hemanta Mukhopadhyay, known professionally as Hemanta Mukherjee and Hemant Kumar, was an Indian music director and a playback singer who primarily sang in Bengali and Hindi, along with several other Indian languages, including Marathi, Gujarati, Odia, Assamese, Tamil, Punjabi, Bhojpuri, Konkani, Sanskrit and Urdu. He was an artist in Bengali and Hindi film music, Rabindra Sangeet, and various other genres. He was the recipient of two National Awards for Best Male Playback Singer and was popularly known as the "Voice of God".

Anuradha Paudwal is an Indian playback singer and politician who works predominantly in Hindi cinema and Odia cinema. She is considered as one of the greatest and most popular Bhajan singer of all time and also as one of the most successful playback singers of Bollywood. The recipient of several accolades including a National Film Award, four Filmfare Awards, six Maharashtra State Film Awards and two Odisha State Film Awards, she has been honoured by the Government of India with the Padma Shri, the country's fourth-highest civilian honour for her contribution in the field of arts. Her contribution in Indian devotional music and Bollywood Industry gained her the honorific titles such as "Bhajan Queen", "Melody Queen, and "The Eternal voice of devotion".

Kalyanji–Anandji were an Indian composer duo, consisting of Kalyanji Virji Shah and his brother Anandji Virji Shah. In a career spanning over forty years, they composed music for about 250 films, working with many well-known filmmakers and singers.

Kishore Kumar was an Indian playback singer, musician and actor. He is widely regarded as one of the greatest, most influential and dynamic singers in the history of Indian music. Kumar was one of the most popular singers in the Indian subcontinent, notable for his yodelling and ability to sing songs in different voices. He used to sing in different genres but some of his rare compositions, considered classics, were lost in time. In 2013, Kumar was voted "The Most Popular Male Playback Singer" in a poll conducted by the Filmfare magazine.

Mohammed Rafi was an Indian playback singer. He is considered to have been one of the greatest and most influential singers of the Indian subcontinent. Rafi was notable for his versatility and range of voice; his songs varied from fast, peppy numbers to patriotic songs, sad numbers to highly romantic songs, qawwalis to ghazals and bhajans to classical songs. He was known for his ability to mould his voice to the persona and style of the actor lip-syncing the song on screen in the movie. He received six Filmfare Awards and one National Film Award in India. In 1967, the Government of India honored him with the fourth highest civilian award, the Padma Shri. In 2001, Rafi was honoured with the "Best Singer of the Millennium" title by Hero Honda and Stardust magazine. In 2013, Rafi was voted for the Greatest Voice in Hindi Cinema in a CNN-IBN poll.

Geeta Dutt was an Indian classical and playback singer. She found particular prominence as a playback singer in Hindi cinema and Bengali cinema and is considered as one of the best playback singers of all time in Hindi films. She also sang many modern Bengali songs in the non-film genre.

Prabodh Chandra Dey, known professionally as Manna Dey, was an Indian playback singer, music director, and musician. With a strong foundation in classical music, he is widely regarded as one of the most versatile and celebrated vocalists in the Indian film industry. He is also credited with bringing Indian classical music into mainstream Hindi cinema.

Talat Mahmood was an Indian playback singer who is considered one of the greatest and most popular Indian male film song and ghazal singers. Although he tried his luck as a film actor, he did not succeed a great deal in acting.

Raju Singh is an Indian film score composer, session musician, singer and a guitarist. His first collaboration was with Malkit Singh of Hai Jamalo fame. Together with Adesh Srivastav they released an album called I Love Golden Star which was quite a rage in the underground circles in Britain. Some of his early compositions include of shows are Dekh Bhai Dekh, Filmi Chakkar, Aahat, Boogie Woogie and CID.