Roots of Joe Satriani

Mountain was an American rock band formed on Long Island, New York, in 1969. Originally consisting of vocalist-guitarist Leslie West, bassist-vocalist Felix Pappalardi, keyboardist Steve Knight, and drummer N. D. Smart, the group disbanded in 1972, but reunited on several occasions prior to West's death in 2020. They are best known for their 1970 smash hit song "Mississippi Queen", which remains a staple of classic rock radio, as well as the heavily sampled song "Long Red", and their performance at Woodstock Festival in 1969. Mountain is one of many bands commonly credited with influencing the development of heavy metal music during the 1970s. The group's musical style primarily consisted of hard rock, blues rock, and heavy metal.

Donald William Felder is an American musician who was the lead guitarist of the rock band Eagles from 1974 to 2001. He is known for co-writing several of the band's songs, most notably "Hotel California". Felder was inducted into the Rock and Roll Hall of Fame in 1998 with Eagles and was inducted into the Musicians Hall of Fame and Museum in 2016.

12 × 5 is the second American studio album by the English rock band the Rolling Stones, released in 1964 following the success of their American debut England's Newest Hit Makers. It is an expanded version of the EP Five by Five, which had followed their debut album in the UK.

Spinal Tap are a parody English heavy metal band created by the American comedians and musicians Michael McKean, Christopher Guest and Harry Shearer. McKean plays the singer, lead bass, and guitarist David St. Hubbins, Guest plays the guitarist Nigel Tufnel, and Shearer plays the bassist Derek Smalls. They are characterized as "one of England's loudest bands".

GTR were an English rock supergroup founded in 1985 by former Yes and Asia guitarist Steve Howe and former Genesis guitarist Steve Hackett. Though the band's leaders were known as progressive rock musicians, GTR appealed to AOR radio stations. The band lasted for two years and one album. Hackett subsequently criticized the project, though not necessarily the other musicians involved in it.