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Artist

Music Has the Right to Children

Electronic
ElectronicTechno

Music Has the Right to Children is a Electronic and Techno act. Their sound grew out of Devo, Wendy Carlos, D.A.F., Julian Cope and My Bloody Valentine. Those roots explain a lot about how Music Has the Right to Children arrange songs and choose their tones. Their influence carried into Lone, Gold Panda, Lapalux, Tim Hecker and Leyland Kirby, where the same ideas turn up rearranged for a later generation. Altogether the chart holds 16 connections around Music Has the Right to Children, reaching back through Devo and forward to Lone. Follow any of those threads to keep travelling the influence between bands and genres on Starverb.

Background

Music Has the Right to Children is the debut studio album by Scottish electronic music duo Boards of Canada, released on 20 April 1998 in the United Kingdom by Warp and Skam Records and in the United States by Matador. The album was produced at Hexagon Sun, the duo's personal recording studio in Pentland Hills, and continued their distinctive style of electronica, featuring vintage synthesisers, degraded analogue production, found sounds and samples, and hip-hop-inspired rhythms that had been featured on their first two EPs Twoism (1995) and Hi Scores (1996).

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Roots — what shaped themLegacy — who they shapedKindred — same orbit
Music Has the Right to ChildrenDevoWendy CarlosD.A.F.Julian CopeMy Bloody ValentineSeefeelVangelisBrian EnoLoneGold PandaLapaluxTim HeckerLeyland KirbyBibioFour TetUlrich Schnauss

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Music Has the Right to Children connections

Music Has the Right to Children grew out of Devo, Wendy Carlos, D.A.F. and Julian Cope, went on to shape Lone, Gold Panda, Lapalux and Tim Hecker. 16 connections mapped across roots, kindred and legacy.

Who influenced Music Has the Right to Children

Roots8

Sounds and acts that shaped Music Has the Right to Children.

Bands Music Has the Right to Children shaped

Legacy8

Where the influence of Music Has the Right to Children travelled next.

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