Artists like DNA

Mars were an American, New York City-based no wave experimental noise rock band, formed in 1975 when China Burg and artist Nancy Arlen (drums) brought Mark Cunningham (bass) and vocalist Sumner Crane together to talk about music. They were joined briefly by guitarist Rudolph Grey of Red Transistor. The band played one live gig under the name China before changing it to Mars. They played a mixture of angular compositions and freeform noise music jams, featuring surrealist lyrics and non-standard drumming. All the members were said to be completely untrained in music before forming the band.

This Heat were an English experimental rock band, formed in early 1976 in Camberwell, London by multi-instrumentalists Charles Bullen, Charles Hayward and Gareth Williams.

Rapeman was an American noise rock band founded in 1987 and disbanded in 1989. It consisted of Steve Albini on guitar and vocals, David Wm. Sims on bass and Rey Washam on drums. In the years since their brief tenure, Rapeman's sound has also been described as post-hardcore.

ESG is an American dance punk/funk/rock band formed in the South Bronx in 1978. ESG has been influential across a wide range of musical genres, including hip hop, and dance-punk. The band's track "UFO" is one of the most sampled songs in history.

Disco Inferno were an English band active in the late 1980s and the 1990s. Initially a trio of guitar, bass, and drums performing in an identifiable post-punk style, the band soon incorporated digital sampling drawing from various aural and musical sources, and atmospheric and hypnotic songwriting. While commercially unsuccessful during their existence, the band acquired a cult following, with critics regarding them as a key first wave post-rock act.

KONK was an American band formed in 1980 in New York City and active until 1988 that emerged during a period marked by the post-punk/new wave and disco scenes which were prevalent at the time. KONK won the attention of both scenes by playing a hybrid of the two musical styles which involved the blending of a new wave attitude with the carefree nature of disco's dance crowd. KONK's musical influences ranged from Afrobeat, jazz and funk to hip hop. Given these influence KONK's style is noted as being highly percussive, and containing simple, yet strong, backing bass lines. As part of New York’s post-punk dance scene they regularly played alongside groups such as Liquid Liquid, Bush Tetras, ESG, the Peech Boys and the Lounge Lizards. They are included in a book by David Byrne and others on the New York post-punk scene.