Artists like El Chicano

Bataan Nitollano, also known as Joe Bataan, is a Filipino-American Latin soul singer, songwriter and musician best known world-wide and in the Hispanic and Latino music scene as the "King of Latin Soul".

The Average White Band were a Scottish funk and R&B band that had a series of soul and disco hits between 1974 and 1980. They were best known for their million-selling instrumental track "Pick Up the Pieces", and their albums AWB and Cut the Cake. The band name was initially proposed by Bonnie Bramlett. They have influenced others, such as the Brand New Heavies, and been sampled by various musicians, including the Beastie Boys, Public Enemy, TLC, the Beatnuts, Too Short, Ice Cube, Eric B. & Rakim, Nas, A Tribe Called Quest, Christina Milian, and Arrested Development, making them the 15th most sampled act in history.

Zapp is an American funk band that emerged from Dayton, Ohio, United States, in 1977. Particularly influential in the electro subgenre of funk, Zapp were known for their trademark use of the talk-box effect. The original line-up consisted of four Troutman brothers—frontman Roger, Larry, Lester and Terry—first cousin, Sherman Fleetwood—and non-Troutman family members Bobby Glover, Gregory Jackson, Jerome Derrickson, Eddie Barber, Jannetta Boyce and Shirley Murdock. Zapp also worked closely with George Clinton and Bootsy Collins of Parliament-Funkadelic during its early stages, their support being a factor in the group gaining a record deal with Warner Bros. Records in 1979.

James & Bobby Purify were an R&B singing duo, whose biggest hits were "I'm Your Puppet" in 1966, which reached number six in the US Billboard Hot 100 chart and in a re-recorded version number 12 in the UK Singles Chart, and "Let Love Come Between Us" in 1967, which reached number 23 in the US. The original "Bobby Purify" was replaced by a second "Bobby Purify" in the 1970s.

King Floyd was a New Orleans soul singer, best known for his top 10 hit from 1970, "Groove Me".

The J.B.'s was James Brown's band from 1970 through the early 1980s. On records, the band was sometimes billed under alternate names such as Fred Wesley and the JBs, The James Brown Soul Train, Maceo and the Macks, A.A.B.B., Fred Wesley and the New JBs, The First Family, and The Last Word. In addition to backing Brown, the J.B.'s played behind Bobby Byrd, Lyn Collins, and other singers associated with the James Brown Revue, and performed and recorded as a self-contained group. In 2015, they were nominated for induction into the Rock and Roll Hall of Fame but failed to be inducted and can be considered for Musical Excellence in the future. They have been eligible since 1995.

Barbara Lynn is an American rhythm and blues and electric blues guitarist, singer and songwriter. She is best known for her R&B chart-topping hit, "You'll Lose a Good Thing" (1962). In 2018, Lynn received a National Heritage Fellowship. In 2026 Lynn was further honored by being inducted into the Blues Hall of Fame.

Roy Edward Ayers Jr. was an American vibraphonist, record producer, and composer. Ayers began his career as a post-bop jazz artist, releasing several studio albums with Atlantic Records, before his tenure at Polydor Records beginning in the 1970s, during which he helped to pioneer jazz-funk. He was a key figure in the acid jazz movement, and has been described as "The Godfather of Neo Soul". He was best known for his compositions "Everybody Loves the Sunshine", "Running Away", and "Freaky Deaky" and others that charted in the 1970s. At one time, Ayers was listed among the performers whose music was most often sampled by rappers.

Eherene Patricia "Patti" Drew was an American pop singer who achieved brief success in the late 1960s.

Charles Louis Brown was an American guitarist, bandleader, and singer known as "The Godfather of Go-Go". Go-go is a subgenre of funk music developed around the Washington, D.C., area in the mid-1970s. While its musical classification, influences, and origins are debated, Brown is regarded as the fundamental force behind the creation of go-go music.

Raymundo "Ray" Barretto Pagán was an American percussionist and bandleader of Puerto Rican descent. Throughout his career as a percussionist, he played a wide variety of Latin music styles, as well as Latin jazz. His first hit, "El Watusi", was recorded by his Charanga Moderna in 1962, becoming the most successful pachanga song in the United States. In the late 1960s, Barretto became one of the leading exponents of boogaloo and what would later be known as salsa. Nonetheless, many of Barretto's recordings would remain rooted in more traditional genres such as son cubano. A master of the descarga, Barretto was a long-time member of the Fania All-Stars. His success continued into the 1970s with songs such as "Cocinando" and "Indestructible". His last album for Fania Records, Soy dichoso, was released in 1990. He then formed the New World Spirit jazz ensemble and continued to tour and record until his death in 2006. He is the father of American vocalist and saxophonist Chris Barretto, best known for being the former singer of progressive metal bands Monuments and Periphery.

Zapp is an American funk band that emerged from Dayton, Ohio, United States, in 1977. Particularly influential in the electro subgenre of funk, Zapp were known for their trademark use of the talk-box effect. The original line-up consisted of four Troutman brothers—frontman Roger, Larry, Lester and Terry—first cousin, Sherman Fleetwood—and non-Troutman family members Bobby Glover, Gregory Jackson, Jerome Derrickson, Eddie Barber, Jannetta Boyce and Shirley Murdock. Zapp also worked closely with George Clinton and Bootsy Collins of Parliament-Funkadelic during its early stages, their support being a factor in the group gaining a record deal with Warner Bros. Records in 1979.

Ramón "Mongo" Santamaría Rodríguez was a Cuban percussionist and bandleader who spent most of his career in the United States. Primarily a conga drummer, Santamaría was a leading figure in the pachanga and boogaloo dance crazes of the 1960s. His biggest hit was his rendition of Herbie Hancock's "Watermelon Man", which was inducted into the Grammy Hall of Fame in 1998. From the 1970s, he recorded mainly salsa and Latin jazz, before retiring in the late 1990s.