Artists like Material

KONK was an American band formed in 1980 in New York City and active until 1988 that emerged during a period marked by the post-punk/new wave and disco scenes which were prevalent at the time. KONK won the attention of both scenes by playing a hybrid of the two musical styles which involved the blending of a new wave attitude with the carefree nature of disco's dance crowd. KONK's musical influences ranged from Afrobeat, jazz and funk to hip hop. Given these influence KONK's style is noted as being highly percussive, and containing simple, yet strong, backing bass lines. As part of New York’s post-punk dance scene they regularly played alongside groups such as Liquid Liquid, Bush Tetras, ESG, the Peech Boys and the Lounge Lizards. They are included in a book by David Byrne and others on the New York post-punk scene.

ESG is an American dance punk/funk/rock band formed in the South Bronx in 1978. ESG has been influential across a wide range of musical genres, including hip hop, and dance-punk. The band's track "UFO" is one of the most sampled songs in history.

Charles Arthur Russell Jr. was an American cellist, composer, producer, singer, and musician from Iowa, whose work spanned a disparate range of styles. After studying contemporary composition and Indian classical music in California, Russell relocated to New York City in the mid-1970s, where he became involved in Lower Manhattan's avant-garde community and later the city's burgeoning disco scene. His eclectic music was often marked by adventurous production choices and his soft tenor vocals.

Warren Harding "Sonny" Sharrock was an American jazz guitarist. His first wife was singer Linda Sharrock, with whom he recorded and performed.

This Heat were an English experimental rock band, formed in early 1976 in Camberwell, London by multi-instrumentalists Charles Bullen, Charles Hayward and Gareth Williams.

Muslimgauze was the main musical project of Bryn Jones, a British experimental musician who was influenced by conflicts and history in the Muslim world, often with an emphasis on the Israeli–Palestinian conflict. With dozens of albums released under the Muslimgauze name, Jones was prolific, but he never achieved mainstream success. His music, categorized as an example of ethnic electronica, has been described by one critic as "among the most startling and unique in the noise underground".

Don Van Vliet, known by his stage name Captain Beefheart, was an American singer, songwriter, multi-instrumentalist, and visual artist. Conducting a rotating ensemble known as the Magic Band, he recorded 13 studio albums between 1967 and 1982. His music blended elements of blues, free jazz, rock, and avant-garde composition with idiosyncratic rhythms, absurdist wordplay, and Vliet's gravelly singing voice with a wide vocal range.

Art of Noise were a British avant-garde and electronic group formed in early 1983 by audio engineer and record producer Gary Langan and programmer J. J. Jeczalik, along with keyboardist and arranger Anne Dudley, producer Trevor Horn, and music journalist Paul Morley. The group had international Top 20 hits with its interpretations of "Kiss", featuring Tom Jones, and the instrumental "Peter Gunn", which won a 1986 Grammy Award.