Artists like The Chakachas

The J.B.'s was James Brown's band from 1970 through the early 1980s. On records, the band was sometimes billed under alternate names such as Fred Wesley and the JBs, The James Brown Soul Train, Maceo and the Macks, A.A.B.B., Fred Wesley and the New JBs, The First Family, and The Last Word. In addition to backing Brown, the J.B.'s played behind Bobby Byrd, Lyn Collins, and other singers associated with the James Brown Revue, and performed and recorded as a self-contained group. In 2015, they were nominated for induction into the Rock and Roll Hall of Fame but failed to be inducted and can be considered for Musical Excellence in the future. They have been eligible since 1995.

Maceo Parker is an American funk and soul jazz saxophonist, best known for his work with James Brown in the 1960s, Parliament-Funkadelic in the 1970s and Prince in the 2000s. Parker was a prominent soloist on many of Brown's hit recordings, and a key part of his band, playing alto, tenor and baritone saxophones. Since the early 1990s, he has toured under his own name.

Bataan Nitollano, also known as Joe Bataan, is a Filipino-American Latin soul singer, songwriter and musician best known world-wide and in the Hispanic and Latino music scene as the "King of Latin Soul".

The Average White Band were a Scottish funk and R&B band that had a series of soul and disco hits between 1974 and 1980. They were best known for their million-selling instrumental track "Pick Up the Pieces", and their albums AWB and Cut the Cake. The band name was initially proposed by Bonnie Bramlett. They have influenced others, such as the Brand New Heavies, and been sampled by various musicians, including the Beastie Boys, Public Enemy, TLC, the Beatnuts, Too Short, Ice Cube, Eric B. & Rakim, Nas, A Tribe Called Quest, Christina Milian, and Arrested Development, making them the 15th most sampled act in history.

Zapp is an American funk band that emerged from Dayton, Ohio, United States, in 1977. Particularly influential in the electro subgenre of funk, Zapp were known for their trademark use of the talk-box effect. The original line-up consisted of four Troutman brothers—frontman Roger, Larry, Lester and Terry—first cousin, Sherman Fleetwood—and non-Troutman family members Bobby Glover, Gregory Jackson, Jerome Derrickson, Eddie Barber, Jannetta Boyce and Shirley Murdock. Zapp also worked closely with George Clinton and Bootsy Collins of Parliament-Funkadelic during its early stages, their support being a factor in the group gaining a record deal with Warner Bros. Records in 1979.

Charles Louis Brown was an American guitarist, bandleader, and singer known as "The Godfather of Go-Go". Go-go is a subgenre of funk music developed around the Washington, D.C., area in the mid-1970s. While its musical classification, influences, and origins are debated, Brown is regarded as the fundamental force behind the creation of go-go music.

The Bar-Kays is an American funk band formed in 1964. The band had dozens of charting singles from the 1960s to the 1980s, including "Soul Finger" in 1967, "Son of Shaft" in 1972, and "Boogie Body Land" in 1980. The Bar-Kays also served as the backing band for a variety of singers, including Isaac Hayes and Otis Redding.

The Brothers Johnson was an American funk and R&B band consisting of the American brothers George and Louis E. Johnson. They achieved their greatest success from the mid-1970s to early 1980s, with three singles topping the R&B charts.

James Walter Castor was an American funk, R&B and soul musician. He is credited with vocals, saxophone and composition. He is best known for songs such as "It's Just Begun", "The Bertha Butt Boogie", and his biggest hit single, the million-seller "Troglodyte ." Castor has been described as "one of the most sampled artists in music history" by the BBC.

Maze, also known as Maze Featuring Frankie Beverly and Frankie Beverly & Maze, is an American soul band founded by Frankie Beverly in Philadelphia in 1970. Under its original name Raw Soul, the band moved to San Francisco and was introduced to Marvin Gaye. Gaye took the group on the road with him as one of his opening acts, and in 1976, he suggested that they change their name from Raw Soul.

Sharon Jones & the Dap-Kings were an American funk and soul band signed to Daptone Records. They were part of a revival movement of mid-1960s to mid-1970s style funk and soul music. They released their debut album Dap Dippin' in 2002, the first of seven studio albums. Their 2014 album Give the People What They Want was nominated for the Grammy Award for Best R&B Album. After Sharon Jones' death in 2016, the band released the posthumous album Soul of a Woman in 2017 and a compilation of cover songs in 2020.

Zapp is an American funk band that emerged from Dayton, Ohio, United States, in 1977. Particularly influential in the electro subgenre of funk, Zapp were known for their trademark use of the talk-box effect. The original line-up consisted of four Troutman brothers—frontman Roger, Larry, Lester and Terry—first cousin, Sherman Fleetwood—and non-Troutman family members Bobby Glover, Gregory Jackson, Jerome Derrickson, Eddie Barber, Jannetta Boyce and Shirley Murdock. Zapp also worked closely with George Clinton and Bootsy Collins of Parliament-Funkadelic during its early stages, their support being a factor in the group gaining a record deal with Warner Bros. Records in 1979.

The Mary Jane Girls are an American girl group formed in Los Angeles, California, in 1981. Formed by Rick James, the original lineup comprised JoJo McDuffie, Cheri Wells, Candice Ghant, and Kimberly Wuletich. Known for their on-stage sexual image, the group debuted on Motown's imprint Gordy Records with the release of their Top 10 dance songs "Candy Man" and "All Night Long" from their debut album Mary Jane Girls (1983).

Marcus Ramone Cooper Sr, better known by his stage name Pleasure P, is an American R&B singer who experienced success as a member of the group Pretty Ricky before embarking on a solo career in 2007. His 2008 debut solo single "Did You Wrong" peaked at number 90 on the Billboard Hot 100 while follow-up singles—"Boyfriend #2" and "Under" peaked at numbers 42 and 78 respectively—the former of which remains his highest charting song on the Hot 100. All three preceded the release of his debut studio album The Introduction of Marcus Cooper (2009), which peaked at number 10 on the Billboard 200 and earned him a Grammy nomination for Best Contemporary R&B Album at the 52nd Annual Grammy Awards.