Artists like The Mar-Keys

The Bar-Kays is an American funk band formed in 1964. The band had dozens of charting singles from the 1960s to the 1980s, including "Soul Finger" in 1967, "Son of Shaft" in 1972, and "Boogie Body Land" in 1980. The Bar-Kays also served as the backing band for a variety of singers, including Isaac Hayes and Otis Redding.

Autry DeWalt Mixon Jr., known professionally as Junior Walker, was an American multi-instrumentalist and vocalist who recorded for Motown during the 1960s. He also performed as a session and live-performing saxophonist with the band Foreigner during the 1980s.

The Contours are an American rhythm and blues vocal group. They recorded for Motown Records. They are known for their 1962 hit single "Do You Love Me", which sold over 1 million copies and became a major hit again in 1988.

James C Hughes is an English bassist who has played with many punk rock and new wave bands, and whose career as a rock musician and writer continues to this day.

Sharon Jones & the Dap-Kings were an American funk and soul band signed to Daptone Records. They were part of a revival movement of mid-1960s to mid-1970s style funk and soul music. They released their debut album Dap Dippin' in 2002, the first of seven studio albums. Their 2014 album Give the People What They Want was nominated for the Grammy Award for Best R&B Album. After Sharon Jones' death in 2016, the band released the posthumous album Soul of a Woman in 2017 and a compilation of cover songs in 2020.

Martha and the Vandellas were an American girl group formed in Detroit, Michigan, in 1957. The group achieved fame in the 1960s as a major act for Motown Records. Formed by friends Annette Beard, Rosalind Ashford and Gloria Williams, Martha Reeves eventually joined the group, and she became its lead vocalist after Williams's departure in 1962. The group signed with Gordy Records, a subsidiary of Motown.

Gloria Lavern Collins, better known as Lyn Collins, was an American soul singer best known for working with James Brown in the 1970s and for the influential 1972 funk single, "Think ".

The J.B.'s was James Brown's band from 1970 through the early 1980s. On records, the band was sometimes billed under alternate names such as Fred Wesley and the JBs, The James Brown Soul Train, Maceo and the Macks, A.A.B.B., Fred Wesley and the New JBs, The First Family, and The Last Word. In addition to backing Brown, the J.B.'s played behind Bobby Byrd, Lyn Collins, and other singers associated with the James Brown Revue, and performed and recorded as a self-contained group. In 2015, they were nominated for induction into the Rock and Roll Hall of Fame but failed to be inducted and can be considered for Musical Excellence in the future. They have been eligible since 1995.

Doris Troy was an American R&B singer and songwriter, known to her fans as "Mama Soul". Her biggest hit was "Just One Look", a top 10 hit in 1963.

Charles Edwin Hatcher, known by his stage name Edwin Starr, was an American singer and songwriter. He is best remembered for his Norman Whitfield-produced Motown singles of the 1970s, most notably the number-one hit "War".

The Four Tops are an American vocal group formed in Detroit, Michigan, in 1953 as the Four Aims. They were one of the most commercially successful American pop music groups of the 1960s and helped propel Motown Records to international fame. The group's repertoire has incorporated elements of soul, R&B, disco, adult contemporary, doo-wop, jazz, and show tunes. Lead singer Levi Stubbs, along with backing vocalists Abdul "Duke" Fakir, Renaldo "Obie" Benson and Lawrence Payton remained together in the group for more than four decades, performing until 1997 without a change in personnel. Along with fellow Motown groups the Miracles, the Marvelettes, Martha and the Vandellas, the Temptations, and the Supremes, the Four Tops helped to establish the "Motown sound"; pop-friendly soul and R&B with a clean, polished production quality. They were notable for having Stubbs, a baritone, as their lead singer, whereas most other male and mixed vocal groups of the time were fronted by tenors.