Legacy of Big Country

The Cult are an English rock band formed in Bradford in 1983. Before settling on their current name in January 1984, the band had performed under the name Death Cult, which was an evolution of the name of lead vocalist Ian Astbury's previous band Southern Death Cult. They gained a dedicated following in the United Kingdom in the mid-1980s as a post-punk and gothic rock band, with singles such as "She Sells Sanctuary", before breaking into the mainstream in the United States in the late 1980s establishing themselves as a hard rock band with singles such as "Love Removal Machine". Since its initial formation in 1983, the band have had various line-ups: the longest-serving members are Astbury and guitarist Billy Duffy, who are also their two main songwriters.

Dread Zeppelin was an American reggae rock band. Formed in 1989 in Sierra Madre, California, the band combined hard rock and reggae styles with humor. They are best known for performing the songs of Led Zeppelin in a reggae style as sung by a Las Vegas Elvis impersonator. They also performed songs originally by Elvis Presley, Bob Marley and The Yardbirds. The group toured extensively around the world during their tenure with I.R.S. Records.

James Francis Gnecco III is an American singer, songwriter and multi instrumentalist who makes music both under his name and the moniker Ours. Gnecco is known for his multi-octave vocal range and singing style, often described as 'dramatic and emotional'.

Kirsty Anna MacColl was a British singer and songwriter. The daughter of folk singer Ewan MacColl, she recorded several pop hits in the 1980s and 1990s, including "There's a Guy Works Down the Chip Shop Swears He's Elvis" and cover versions of Billy Bragg's "A New England" and the Kinks' "Days". She also sang on a number of recordings produced by her husband Steve Lillywhite, most notably "Fairytale of New York" by the Pogues. Her first single, "They Don't Know", would have chart success a few years later when covered by Tracey Ullman. Her death in 2000 led to the "Justice for Kirsty" campaign.

The Silencers are a Scottish rock band formed in London in 1986 by Jimme O'Neill and Cha Burns, two ex-members of the post-punk outfit Fingerprintz. Their music is characterised by a melodic blend of pop, folk and traditional Celtic influences. Often compared to Scottish bands with a similar sound like Big Country, Del Amitri and The Proclaimers, The Silencers have distinguished themselves with their eclectic sounds, prolific output and continued career. Their first single, "Painted Moon," was a minor international hit and invited critical comparisons to Simple Minds and U2.

Evermore were a rock band formed in Feilding, New Zealand, in 1999, made up of three brothers Jon, Peter and Dann Hume. The band was based in Sydney from 2004 to 2007 and then Melbourne until they became inactive in 2014. Evermore released four studio albums: Dreams (2004), Real Life (2006), Truth of the World: Welcome to the Show (2009), and Follow the Sun (2012), as well as a self-titled compilation album (2010). Real Life and Truth of the World were their highest-charting studio albums in New Zealand and Australia, while Dreams and Real Life received platinum certifications from Australian Recording Industry Association (ARIA).

Skids are a Scottish punk rock and new wave band, formed in Dunfermline in 1977 by Stuart Adamson, William Simpson, Thomas Kellichan (drums) and Richard Jobson. Their biggest successes were the 1979 single "Into the Valley" and the 1980 album The Absolute Game. In 2016, the band announced a 40th-anniversary tour of the UK with their original singer Richard Jobson.

Stephen Malcolm Ronald Nice, known by his stage name Steve Harley, was an English singer-songwriter and frontman of the rock group Cockney Rebel. The band achieved five UK hit albums, including The Psychomodo (1974) and The Best Years of Our Lives (1975), and six UK hit singles in the mid-1970s, including "Judy Teen", "Mr. Soft", and the number one "Make Me Smile ". Harley later scored a further three UK hit singles as a solo artist, most notably with "The Phantom of the Opera", a duet with Sarah Brightman, in 1986.