Legacy of Bobby Caldwell

Ephraim Elliott Yamin is an American singer known for his hit single "Wait for You" and for placing third on the fifth season of American Idol.

Age Ain't Nothing but a Number is the debut studio album by American singer Aaliyah. It was released on May 24, 1994, by Blackground Records and Jive Records. After being signed by her uncle Barry Hankerson, Aaliyah was introduced to recording artist and producer R. Kelly, who became her mentor, as well as the lead songwriter and producer of the album. The duo recorded the album at the Chicago Recording Company in Chicago periodically from January 1993 until early 1994.

Amy Lee Grant is an American singer-songwriter and musician. She began her music career in contemporary Christian music (CCM) before crossing over to pop music in the mid-1980s. Grant has been referred to as "The Queen of Christian Pop". Grant was formerly married to fellow Christian musician Gary Chapman; after their divorce in 1999, she married country music singer Vince Gill in 2000.

Go West are an English pop duo formed in 1982 by lead vocalist Peter Cox and rhythm guitarist and backing vocalist Richard Drummie. At the Brit Awards 1986, they received the Brit Award for British Breakthrough Act. The duo enjoyed popularity between the mid-1980s and the early 1990s and are best known for the international top 10 hits "We Close Our Eyes", "Call Me", "Faithful", and "King of Wishful Thinking"; the last was featured in the American romantic comedy film Pretty Woman (1990).

Snoh Sheri Nowrozi, better known by her stage name Snoh Aalegra, is a Swedish R&B singer. Her debut album, Feels, was released in 2017, followed by Ugh, Those Feels Again in 2019.

Christopher George Latore Wallace, known professionally as the Notorious B.I.G. or Biggie Smalls, was an American rapper and songwriter. Rooted in the East Coast hip-hop and gangsta rap traditions, he is widely considered one of the greatest rappers of all time. Wallace became known for his distinctive, laidback lyrical delivery, offsetting his lyrics' often grim content. His music was semi-autobiographical, telling of hardship and criminality but also of debauchery and celebration.