Legacy of Joe Jackson

Sugar Ray is an American rock band formed in Newport Beach, California, in 1986. Originally playing heavier nu metal and funk metal style music, the band achieved mainstream popularity in 1997 with their more pop-influenced single "Fly". The song's success led the band to shift its style dramatically to the more radio-friendly pop sound with their subsequent releases. Their best-selling album, 14:59, was released in 1999, and featured popular singles "Every Morning", "Someday", followed by a self-titled album in 2001 featuring the single "When It's Over". The band would release two further albums, In the Pursuit of Leisure (2003) and Music for Cougars (2009), though the albums and respective singles generally sold far less. The band continued to tour into the 2010s.

Silversun Pickups is an American alternative rock band from Los Angeles that was formed in 2000. The band is composed of Brian Aubert, Nikki Monninger, Christopher Guanlao, and Joe Lester.

I Dont Know How but They Found Me, often shortened to IDKHow, is an American indie pop solo project based in Salt Lake City, Utah, fronted by singer-songwriter Dallon Weekes. It was originally formed as a duo in 2014 consisting of Weekes and drummer Ryan Seaman, a former member of Weekes' previous project The Brobecks, until the latter was fired in 2023.

The Smile are an English rock band comprising Thom Yorke, Jonny Greenwood and Tom Skinner (drums). Critics likened them to Yorke and Greenwood's band Radiohead, with more jazz, krautrock and progressive rock influences and a looser, wilder sound.

Benjamin Scott Folds is an American singer-songwriter. After playing in several small independent bands from the late 1980s through the early '90s, Folds came to prominence as the frontman and pianist of the alternative rock trio Ben Folds Five from 1993 to 2000, and again during their reunion from 2011 to 2013. Folds has recorded a number of solo albums, most recently Sleigher (2024). He has also collaborated with musicians such as Regina Spektor, "Weird Al" Yankovic and yMusic, and undertaken experimental songwriting projects with actor William Shatner and authors such as Nick Hornby and Neil Gaiman. Folds was the artistic advisor to the National Symphony Orchestra at the Kennedy Center in Washington, D.C. from 2017 until 2025.

"It's Gonna Be Me" is a song by American boy band NSYNC. It was released through Jive Records, as the second single from their third studio album No Strings Attached (2000) in the United States, and as the third single from the international edition of No Strings Attached. The song was written by Max Martin, Andreas Carlsson, and Rami Yacoub, and produced by the latter. A pop song with a funk and R&B influence, the lyrics are about a man attempting to persuade a woman to start a new relationship together as she recovers from a previous breakup.

"Steady, As She Goes" is the debut single of American rock band the Raconteurs from their debut album, Broken Boy Soldiers (2006). In early 2006, a limited-edition 7-inch vinyl record was released as a double A-sided single with the relatively unpromoted "Store Bought Bones" as the flipside. "Steady, As She Goes" was released to radio on March 20, 2006, and retail on April 24, with the B-side "Bane Rendition". Two further vinyl releases were produced: the first with "Store Bought Bones" as the B-side; the second an acoustic rendition of "Steady, As She Goes" with "Call It a Day" as the B-side.

The Matches are an American rock band from Oakland, California, initially active from 1997 to 2009. Formed as the Locals, the group changed their name after five years to avoid conflict with a Chicago band of the same name. As the Matches, they self-released their debut album, E. Von Dahl Killed the Locals, in 2003, then signed to Epitaph Records, which re-released it the following year. Decomposer followed in 2006, seeing the band move from their pop punk roots in a more idiosyncratic direction with contributions from nine different record producers; it reached no. 18 on Billboard's Independent Albums chart. With their third album, A Band in Hope (2008), their sound became even more heavily layered and experimental; it was their only release to chart on the Billboard 200, reaching no. 179.