Artists like ESG

KONK was an American band formed in 1980 in New York City and active until 1988 that emerged during a period marked by the post-punk/new wave and disco scenes which were prevalent at the time. KONK won the attention of both scenes by playing a hybrid of the two musical styles which involved the blending of a new wave attitude with the carefree nature of disco's dance crowd. KONK's musical influences ranged from Afrobeat, jazz and funk to hip hop. Given these influence KONK's style is noted as being highly percussive, and containing simple, yet strong, backing bass lines. As part of New York’s post-punk dance scene they regularly played alongside groups such as Liquid Liquid, Bush Tetras, ESG, the Peech Boys and the Lounge Lizards. They are included in a book by David Byrne and others on the New York post-punk scene.

The Au Pairs are a British post-punk band that formed in Birmingham in 1978 and continued until 1983 on their first run. The band reformed in 2025, with Lesley Woods as the only original member. They produced two studio albums and three singles. Their songs were said to have "contempt for the cliches of contemporary sexual politics" and their music has been compared to that of the Gang of Four and the Young Marble Giants. The band was fronted by Lesley Woods, who was once described as "one of the most striking women in British rock".

Charles Arthur Russell Jr. was an American cellist, composer, producer, singer, and musician from Iowa, whose work spanned a disparate range of styles. After studying contemporary composition and Indian classical music in California, Russell relocated to New York City in the mid-1970s, where he became involved in Lower Manhattan's avant-garde community and later the city's burgeoning disco scene. His eclectic music was often marked by adventurous production choices and his soft tenor vocals.

Mars were an American, New York City-based no wave experimental noise rock band, formed in 1975 when China Burg and artist Nancy Arlen (drums) brought Mark Cunningham (bass) and vocalist Sumner Crane together to talk about music. They were joined briefly by guitarist Rudolph Grey of Red Transistor. The band played one live gig under the name China before changing it to Mars. They played a mixture of angular compositions and freeform noise music jams, featuring surrealist lyrics and non-standard drumming. All the members were said to be completely untrained in music before forming the band.

Charles Arthur Russell Jr. was an American cellist, composer, producer, singer, and musician from Iowa, whose work spanned a disparate range of styles. After studying contemporary composition and Indian classical music in California, Russell relocated to New York City in the mid-1970s, where he became involved in Lower Manhattan's avant-garde community and later the city's burgeoning disco scene. His eclectic music was often marked by adventurous production choices and his soft tenor vocals.

Chrome is an American rock band founded in San Francisco in 1976 by musician Damon Edge and associated with the 1970s post-punk movement. The group's raw sound blended elements of punk, psychedelia, and early industrial music, incorporating science-fiction themes, tape experimentation, distorted acid rock guitar, and electronic noise. They have been cited as forerunners of industrial rock.

The Clean was a New Zealand indie rock band formed in Dunedin in 1978. They have been described as the most influential band to come from the Flying Nun label, which recorded many artists associated with the "Dunedin sound", and one of the first bands to be described as "indie rock".