Artists like Ian Matthews

Long May You Run is a studio album credited to the Stills–Young Band, a collaboration between Stephen Stills and Neil Young, released in 1976 on Reprise Records. It peaked at No. 26 on the Billboard 200 and was certified gold in the United States by the RIAA. The album is the sole studio release by Stills and Young as a duo.

Terrance James Reid, who was nicknamed Superlungs, was an English musician, songwriter and guitarist, best known for his emotive style of singing in appearances with high-profile musicians as vocalist, supporting act and session musician. As a solo recording and touring artist he released six studio albums and four live albums. Described as an "artists' artist" by Rolling Stone, Reid was recognised by his contemporaries as an eminent talent in English rock music, both as a guitarist and a vocalist. Robert Plant praised his vocal "flexibility, power and control" and Graham Nash was quoted as saying he should have been "a gigantic star".

Alastair Ian Stewart is a British singer-songwriter and folk-rock musician who rose to prominence as part of the British folk revival in the 1960s and 1970s. He developed a style of combining folk-rock songs with tales of characters and events from history.

Crosby, Stills & Nash (CSN) was a folk rock supergroup composed of the American singer-songwriters David Crosby and Stephen Stills and the English-American singer-songwriter Graham Nash. When joined by the Canadian singer-songwriter Neil Young, they were known as Crosby, Stills, Nash & Young (CSNY). They are noted for their intricate vocal harmonies and lasting influence on American music and culture, their political activism and their tumultuous relationships.

Buffalo Springfield was a Canadian-American rock band formed in Los Angeles in 1966 by Canadians Neil Young, Bruce Palmer and Dewey Martin and Americans Stephen Stills and Richie Furay. The group, widely known for the song "For What It's Worth", released three albums and several singles from 1966 to 1968. Their music combined elements of folk music and country music with influences from the British Invasion and psychedelic rock. Like the contemporary band the Byrds, they were key to the early development of folk rock. The band took their name from a steamroller parked outside their house.

Fred Neil was an American folk singer-songwriter active in the 1960s and early 1970s. He is mainly known through other people's recordings of his material, particularly "Everybody's Talkin'", which became a hit for Harry Nilsson after it was used in the film Midnight Cowboy in 1969. Though highly regarded by contemporary folk singers, he was reluctant to tour and spent much of the last 30 years of his life assisting with the preservation of dolphins.

Crosby, Stills & Nash (CSN) was a folk rock supergroup composed of the American singer-songwriters David Crosby and Stephen Stills and the English-American singer-songwriter Graham Nash. When joined by the Canadian singer-songwriter Neil Young, they were known as Crosby, Stills, Nash & Young (CSNY). They are noted for their intricate vocal harmonies and lasting influence on American music and culture, their political activism and their tumultuous relationships.

Herbert Jansch was a Scottish folk musician and founding member of the band Pentangle. He was born in Glasgow and came to prominence in London in the 1960s as an acoustic guitarist and singer-songwriter. He recorded more than 28 albums and toured extensively from the 1960s to the 21st century.

Neil Percival Young is a Canadian and American singer-songwriter. Son of journalist and author Scott Young, Young embarked on a music career in Winnipeg in the 1960s. He then moved to Los Angeles, forming the folk rock group Buffalo Springfield. His solo career, often backed by the band Crazy Horse, includes critically acclaimed albums such as Everybody Knows This Is Nowhere (1969), After the Gold Rush (1970), Harvest (1972), On the Beach (1974), and Rust Never Sleeps (1979). Young was also a part-time member of Crosby, Stills, Nash & Young, with whom he recorded the chart-topping 1970 album Déjà Vu.