Artists like Lonnie Johnson

Nehemiah Curtis "Skip" James was an American Delta blues singer, guitarist, pianist and songwriter. AllMusic stated: "Coupling an oddball guitar tuning set against eerie, falsetto vocals, James' early recordings could make the hair stand up on the back of your neck."

Elmore James was an American blues guitarist, singer, songwriter, and bandleader. Noted for his use of loud amplification and his stirring voice, James was inducted into the Rock and Roll Hall of Fame in 1992. His slide guitar technique earned him the nickname "King of the Slide Guitar".

Booker T. Washington "Bukka" White was an American Delta blues guitarist and singer. His first full-length biography, The Life and Music of Booker "Bukka" White: Recalling the Blues (2024), has been published by the University Press of Mississippi.

Arthur Blake, known as Blind Blake, was an American blues and ragtime singer and guitarist. He is known for recordings he made for Paramount Records between 1926 and 1932.

Huddie William Ledbetter, better known by the stage name Lead Belly, was an American folk and blues singer notable for his strong vocals, virtuosity on the twelve-string guitar, and the folk standards he introduced, including his renditions of "In the Pines", "Pick a Bale of Cotton", "Goodnight, Irene", "Black Betty", "Midnight Special", "Cotton Fields", and "Boll Weevil".

Leroy Carr was an American blues singer, songwriter and pianist who developed a laid-back, crooning technique and whose popularity and style influenced such artists as Nat King Cole and Ray Charles. Music historian Elijah Wald has called him "the most influential male blues singer and songwriter of the first half of the 20th century". He first became famous for "How Long, How Long Blues", his debut recording released by Vocalion Records in 1928.

J. B. Lenoir was an American blues guitarist and singer-songwriter, active in the Chicago blues scene in the 1950s and 1960s. In The Encyclopedia of Popular Music he is described as both an "extrovert R&B man in the leopard-skin jacket who chanted infectious trifles" and a "thoughtful and intelligent writer of starkly honest blues songs."