Artists like Manu Dibango

Antibalas is an American, Brooklyn-based afrobeat band founded in 1998 by Martín Perna. Initially inspired by Fela Kuti's Africa 70 band and Eddie Palmieri's Harlem River Drive Orchestra, the music generally follows the musical architecture and language of afrobeat and incorporates elements of jazz, funk, dub, improvised music, and traditional drumming from Cuba and West Africa.

The Budos Band is a North American instrumental band from Staten Island, New York, formed in 2005. AllMusic describes the group as a "doom rock Afro-soul big band with a '70s touch" that joins "musical universes from trippy psychedelia and Afro-funk to '70s hard rock and late-'60s soul." They have described themselves as "70's Psychedelic Instrumental Music," and "Afro-soul inspired by Ethiopian music with a soul undercurrent" and "sprinkled a little bit of sweet 60's stuff on top." One press release described the band as “sounding as if Quentin Tarantino was the music supervisor for a Bond film". Their more recent albums have incorporated sounds from 1970s jazz, funk, Afro-Beat, underground rock, and proto-metal. They have been signed to Daptone Records throughout their career.

Lafayette Afro Rock Band was an American funk band formed in Roosevelt, Long Island, New York in 1970. Shortly after their formation, they relocated to France. Though little-known in their native United States during their recording period, they have since become celebrated as one of the standout funk bands of the 1970s and are particularly noted for their use of break beats. The band also recorded under the names Ice, Crispy & Co., Captain Dax, and others.

William Ezechukwu Onyeabor was a Nigerian funk musician and businessman. His music was widely heard in Nigeria in the late 1970s and early 1980s. Despite his success, he remained an enigmatic, private, and reclusive figure.

Orlando Julius Aremu Olusanya Ekemode, known professionally as Orlando Julius or Orlando Julius Ekemode was a Nigerian saxophonist, singer, bandleader, and songwriter closely associated with afrobeat music.

The J.B.'s was James Brown's band from 1970 through the early 1980s. On records, the band was sometimes billed under alternate names such as Fred Wesley and the JBs, The James Brown Soul Train, Maceo and the Macks, A.A.B.B., Fred Wesley and the New JBs, The First Family, and The Last Word. In addition to backing Brown, the J.B.'s played behind Bobby Byrd, Lyn Collins, and other singers associated with the James Brown Revue, and performed and recorded as a self-contained group. In 2015, they were nominated for induction into the Rock and Roll Hall of Fame but failed to be inducted and can be considered for Musical Excellence in the future. They have been eligible since 1995.

Idris Muhammad was an American jazz drummer and bandleader. He had an extensive career performing jazz, funk, R&B, and soul music and recorded with musicians such as Ahmad Jamal, Lou Donaldson, Pharoah Sanders, Bob James, and Tete Montoliu.

Orchestre Poly-Rythmo de Cotonou is a band from Cotonou, Benin, originally active from the 1960s to the 1980s and founded by singer-guitarist Mélomé Clément. They reformed in 2009 to international recognition. Their work has mixed styles such as funk, afrobeat, psychedelia, jazz and local voodoo influences. The Guardian called them "one of West Africa's best dance bands."

Mulatu Astatke is an Ethiopian musician and arranger considered the father of "Ethio-jazz".