Artists like Phil Ochs

Peter Seeger was an American singer, songwriter, musician, and social activist. He was a fixture on nationwide radio in the 1940s, and had a string of hit records in the early 1950s as a member of The Weavers, especially their recording of Lead Belly's "Goodnight, Irene", which topped the charts for 13 weeks in 1950. Members of the Weavers were blacklisted during the McCarthy Era. In the 1960s, Seeger re-emerged on the public scene as a prominent singer of protest music in support of international disarmament, civil rights, workers' rights, counterculture, environmental causes, and ending the Vietnam War.

Christiana Elizabeth "Tia" Wallman, known professionally as Tia Blake, was an American singer-songwriter and writer. She recorded the 1971 album Folk Songs & Ballads: Tia Blake and Her Folk-Group, which was released in France in a small pressing and reissued in 2011. Later accounts have described it as a lost or rediscovered folk album, and commentators have compared Blake with singers including Nick Drake and Nico.

Stanley Allison Rogers was a Canadian folk musician and songwriter who sang traditional-sounding songs frequently inspired by Canadian history and the working people's daily lives, especially from the fishing villages of the Maritime provinces and, later, the farms of the Canadian prairies and Great Lakes. He died in a fire aboard Air Canada Flight 797, grounded at the Greater Cincinnati Airport, at the age of 33.

Jesse Allen Breckenridge Wells, known professionally as Jesse Welles, is an American singer-songwriter and guitarist. He released his debut studio album, Red Trees and White Trashes, in 2018. Welles previously performed under the name Jeh Sea Wells and was also the frontman of the bands Dead Indian, formed in 2012, and Cosmic-American, formed in 2015. He was also the frontman for the band Welles.

Fred Neil was an American folk singer-songwriter active in the 1960s and early 1970s. He is mainly known through other people's recordings of his material, particularly "Everybody's Talkin'", which became a hit for Harry Nilsson after it was used in the film Midnight Cowboy in 1969. Though highly regarded by contemporary folk singers, he was reluctant to tour and spent much of the last 30 years of his life assisting with the preservation of dolphins.

James Timothy Hardin was an American folk music and blues singer-songwriter and guitarist. In addition to his own success, his songs "If I Were a Carpenter", "Reason to Believe", "Misty Roses" and "The Lady Came from Baltimore" were hits for other artists.

Judith Lynne Sill was an American singer-songwriter and composer. She was influenced by Bach, and wrote lyrics drawing on Christian themes of rapture and redemption.

Odetta Holmes, known mononymously as Odetta, was an American singer, songwriter, and actress. Referred to as "The Voice of the Civil Rights Movement", her musical repertoire consisted largely of American folk music, blues, jazz, and spirituals.

Gilbert Vandine "Cisco" Houston was an American folk singer and songwriter, who is closely associated with Woody Guthrie due to their extensive history of traveling and recording together.

The Kingston Trio is an American folk and pop music group that helped launch the folk revival of the late 1950s to the late 1960s. The group started as a San Francisco Bay Area nightclub act with an original lineup of Dave Guard, Bob Shane, and Nick Reynolds. It rose to international popularity fueled by unprecedented sales of LP records and helped alter the direction of popular music in the U.S.

Karen J. Dalton was an American country blues singer, guitarist, and banjo player. She was associated with the early 1960s Greenwich Village folk music scene, particularly with Fred Neil, the Holy Modal Rounders, and Bob Dylan. Although she did not enjoy much commercial success during her lifetime, her music has gained significant recognition since her death. Artists like Nick Cave, Devendra Banhart, and Joanna Newsom have noted her as an influence.

Elizabeth Eaton Converse was an American singer-songwriter, best known under her professional name Connie Converse. She was active in New York City in the 1950s, and her work is among the earliest known recordings in the singer-songwriter genre of music in the U.S. Before and after the period in which she wrote her music she was an academic, writer, and assistant editor for the Far Eastern Survey, and editor for the Journal of Conflict Resolution.