Artists like Skatt Bros

Sylvester James Jr., known simply as Sylvester, was an American singer-songwriter. Primarily active in the genres of disco, rhythm and blues, and soul, he was known for his flamboyant and androgynous appearance, falsetto singing voice, and hit disco singles in the late 1970s and 1980s.

Daniel Earl Hartman was an American pop rock musician. Among songs he wrote and recorded were "Free Ride" as a member of the Edgar Winter Group, and the solo hits "Relight My Fire", "Instant Replay", "I Can Dream About You", "We Are the Young" and "Second Nature". "I Can Dream About You", his most successful US hit, reached No. 6 on the Billboard Hot 100 in 1984. The James Brown song "Living in America", which Hartman co-wrote and produced, reached No. 4 on March 1, 1986.

BRADIO is a Japanese funk rock band. Their name is an acronym for "Break the Rule And Do Image On" and means that they will break the rules of everyday life, and while having a wonderful image all around, they will make a new good place. The members call their fans Funky Party People (FPP).

Anita Ward (sources differ) is an American singer and musician from Memphis, Tennessee. Beginning her professional music career in the late 1970s, Ward is best known for her 1979 million-selling chart-topper R&B/Disco hit "Ring My Bell": it was no. 1 on the United States Hot 100, R&B, and Dance charts, and in the United Kingdom.

First Choice is an American girl group and vocal music trio from Philadelphia. Their soul and disco hits included "Armed and Extremely Dangerous", "Smarty Pants", "The Player ", "Guilty", "Love Thang", and "Doctor Love". They were signed to soul label Philly Groove and to disco label Gold Mind, and later to Warner Bros. and Salsoul.

The Hues Corporation was an American pop and soul trio, formed in Santa Monica, California, in 1969. They are best known for their 1974 single "Rock the Boat", which sold more than two million copies, hit No. 1, and helped establish the disco sound.

Baccara was a Spanish female vocal duo formed in 1977 by Spanish artists María Mendiola and Mayte Mateos. The duo rapidly achieved international success with their debut single "Yes Sir, I Can Boogie", which reached number one across much of Europe and became the best-selling single of all time by a female duo, eventually selling more than 16 million copies worldwide. A successful follow-up single and European tour led to a number of album releases, numerous television appearances and the duo's selection to represent Luxembourg in the Eurovision Song Contest 1978 with "Parlez-vous français ?".

Van Allen Clinton McCoy was an American record producer, arranger, songwriter and singer. He is known for his 1975 internationally successful hit "The Hustle". He has approximately 700 song copyrights to his credit, and produced songs by such recording artists as Brenda & the Tabulations; David Ruffin; The Stylistics; The Presidents; Faith, Hope & Charity; New Censation; Gladys Knight & the Pips; Aretha Franklin; Peaches & Herb; Lesley Gore; and Stacy Lattisaw.

Shalamar is an American R&B and soul music vocal group created by Dick Griffey and Don Cornelius in 1977 and active throughout the 1980s. Shalamar's classic lineup on the SOLAR label consisted of Howard Hewett, Jody Watley, and Jeffrey Daniel. It was originally a disco-driven group created by Soul Train booking agent Dick Griffey and show creator and producer Don Cornelius. They went on to be an influential dance trio managed by Dick Griffey. Initially signed to Soul Train Records they transferred to Griffey's Solar Records after the Cornelius-Griffey Entertainment company was dissolved. According to British Hit Singles & Albums, they were fashion icons and trendsetters, and helped to introduce "body-popping" to the United Kingdom. Their name was created by Griffey.

Charles Arthur Russell Jr. was an American cellist, composer, producer, singer, and musician from Iowa, whose work spanned a disparate range of styles. After studying contemporary composition and Indian classical music in California, Russell relocated to New York City in the mid-1970s, where he became involved in Lower Manhattan's avant-garde community and later the city's burgeoning disco scene. His eclectic music was often marked by adventurous production choices and his soft tenor vocals.