Artists like Snooks Eaglin
Kindred artists that sit next to Snooks Eaglin on the star chart — same era, adjacent sound, or overlapping influence. Tap any card to open its full page.
J.B. LenoirartistJ. B. Lenoir was an American blues guitarist and singer-songwriter, active in the Chicago blues scene in the 1950s and 1960s. In The Encyclopedia of Popular Music he is described as both an "extrovert R&B man in the leopard-skin jacket who chanted infectious trifles" and a "thoughtful and intelligent writer of starkly honest blues songs."
Bo Diddleyartist
LeadbellyartistHuddie William Ledbetter, better known by the stage name Lead Belly, was an American folk and blues singer notable for his strong vocals, virtuosity on the twelve-string guitar, and the folk standards he introduced, including his renditions of "In the Pines", "Pick a Bale of Cotton", "Goodnight, Irene", "Black Betty", "Midnight Special", "Cotton Fields", and "Boll Weevil".
Elmore JamesartistElmore James was an American blues guitarist, singer, songwriter, and bandleader. Noted for his use of loud amplification and his stirring voice, James was inducted into the Rock and Roll Hall of Fame in 1992. His slide guitar technique earned him the nickname "King of the Slide Guitar".
Skip JamesartistNehemiah Curtis "Skip" James was an American Delta blues singer, guitarist, pianist and songwriter. AllMusic stated: "Coupling an oddball guitar tuning set against eerie, falsetto vocals, James' early recordings could make the hair stand up on the back of your neck."
- Little Walterartist
Son Houseartist
Mississippi Fred McDowellartistFred McDowell, known by his stage name Mississippi Fred McDowell, was an American singer-songwriter and guitarist of hill country blues music.
Rev. Gary DavisartistGary D. Davis, known as Reverend Gary Davis and Blind Gary Davis, was an American blues and gospel singer who was also proficient on the banjo, guitar and harmonica. Born in Laurens, South Carolina, and blind since infancy, Davis first performed professionally in the Piedmont blues scene of Durham, North Carolina, in the 1930s, then converted to Christianity and became a minister. After moving to New York in the 1940s, Davis experienced a career rebirth as part of the American folk music revival that peaked during the 1960s. Davis' most notable recordings include "Samson and Delilah" and "Death Don't Have No Mercy".
Sleepy John Estesartist
Koko Taylorartist
John Lee Hookerartist