Artists like Tampa Red
Kindred artists that sit next to Tampa Red on the star chart — same era, adjacent sound, or overlapping influence. Tap any card to open its full page.
Sleepy John Estesartist
Leroy CarrartistLeroy Carr was an American blues singer, songwriter and pianist who developed a laid-back, crooning technique and whose popularity and style influenced such artists as Nat King Cole and Ray Charles. Music historian Elijah Wald has called him "the most influential male blues singer and songwriter of the first half of the 20th century". He first became famous for "How Long, How Long Blues", his debut recording released by Vocalion Records in 1928.
Roosevelt Sykesartist
Elmore JamesartistElmore James was an American blues guitarist, singer, songwriter, and bandleader. Noted for his use of loud amplification and his stirring voice, James was inducted into the Rock and Roll Hall of Fame in 1992. His slide guitar technique earned him the nickname "King of the Slide Guitar".
Jimmy Witherspoonartist
Big Joe Turnerartist
Mississippi Fred McDowellartistFred McDowell, known by his stage name Mississippi Fred McDowell, was an American singer-songwriter and guitarist of hill country blues music.
Big Walter Hortonartist
Blind BlakeartistArthur Blake, known as Blind Blake, was an American blues and ragtime singer and guitarist. He is known for recordings he made for Paramount Records between 1926 and 1932.
LeadbellyartistHuddie William Ledbetter, better known by the stage name Lead Belly, was an American folk and blues singer notable for his strong vocals, virtuosity on the twelve-string guitar, and the folk standards he introduced, including his renditions of "In the Pines", "Pick a Bale of Cotton", "Goodnight, Irene", "Black Betty", "Midnight Special", "Cotton Fields", and "Boll Weevil".
Rev. Gary DavisartistGary D. Davis, known as Reverend Gary Davis and Blind Gary Davis, was an American blues and gospel singer who was also proficient on the banjo, guitar and harmonica. Born in Laurens, South Carolina, and blind since infancy, Davis first performed professionally in the Piedmont blues scene of Durham, North Carolina, in the 1930s, then converted to Christianity and became a minister. After moving to New York in the 1940s, Davis experienced a career rebirth as part of the American folk music revival that peaked during the 1960s. Davis' most notable recordings include "Samson and Delilah" and "Death Don't Have No Mercy".
J.B. LenoirartistJ. B. Lenoir was an American blues guitarist and singer-songwriter, active in the Chicago blues scene in the 1950s and 1960s. In The Encyclopedia of Popular Music he is described as both an "extrovert R&B man in the leopard-skin jacket who chanted infectious trifles" and a "thoughtful and intelligent writer of starkly honest blues songs."
Louisiana Redartist
Johnny CopelandartistJohn Clyde Copeland was an American Texas blues guitarist and singer. In 1983, he was named Blues Entertainer of the Year by the Blues Foundation. He is the father of blues singer Shemekia Copeland.
Blind Lemon Jeffersonartist