Artists like The Pretty Things

The West Coast Pop Art Experimental Band (WCPAEB) was an American psychedelic rock band formed in Los Angeles, California, in 1965.

The United States of America was an American psychedelic rock band founded in Los Angeles in 1967 by composer Joseph Byrd and vocalist Dorothy Moskowitz, with electric violinist Gordon Marron, bassist Rand Forbes and drummer Craig Woodson. Their 1968 self-titled album, often cited as an early showcase for the use of electronic devices in rock music, was met with critical acclaim and minor chart success. They disbanded shortly after its release.

Ultimate Spinach was a short-lived American psychedelic rock band from Boston, Massachusetts which was formed in 1967. In terms of style and national recognition, the band was one of the most prominent musical acts to emerge from the "Bosstown Sound", which was a marketing campaign posing as a regional attempt to compete with the San Francisco Sound. During the group's existence, they released three albums, with their self-titled debut the most commercially successful.

The Animals are an English rock band formed in Newcastle upon Tyne in 1962. Their original lineup consisted of singer Eric Burdon, guitarist Hilton Valentine, bass guitarist Chas Chandler, keyboardist Alan Price, and drummer John Steel. Known for their gritty, bluesy sound, they balanced tough, rock-edged pop singles against rhythm-and-blues-oriented album material, and were part of the British Invasion of the US.

Manfred Mann was an English-based rock band formed in London in 1962. They were named after their keyboardist Manfred Mann. The group had two lead vocalists: Paul Jones from 1962 to 1966 and Mike d'Abo from 1966 to 1969. Other members of various group line-ups were Mike Hugg, Mike Vickers, Dave Richmond, Tom McGuinness, Jack Bruce, Lyn Dobson, Henry Lowther and Klaus Voormann.

The Youngbloods were an American rock band consisting of Jesse Colin Young, Jerry Corbitt, Lowell "Banana" Levinger, and Joe Bauer (drums). Despite receiving critical acclaim, they never achieved widespread popularity. Their only U.S. Top 40 entry was Chet Powers's "Get Together".