Artists like Tony Allen
Kindred artists that sit next to Tony Allen on the star chart — same era, adjacent sound, or overlapping influence. Tap any card to open its full page.
Fela Kutiartist
Antibalas Afrobeat OrchestraartistAntibalas is an American, Brooklyn-based afrobeat band founded in 1998 by Martín Perna. Initially inspired by Fela Kuti's Africa 70 band and Eddie Palmieri's Harlem River Drive Orchestra, the music generally follows the musical architecture and language of afrobeat and incorporates elements of jazz, funk, dub, improvised music, and traditional drumming from Cuba and West Africa.
Ebo Taylorartist
The Souljazz Orchestraartist
William OnyeaborartistWilliam Ezechukwu Onyeabor was a Nigerian funk musician and businessman. His music was widely heard in Nigeria in the late 1970s and early 1980s. Despite his success, he remained an enigmatic, private, and reclusive figure.
Hugh Masekelaartist
Nubiyan Twistartist
The Budos BandartistThe Budos Band is a North American instrumental band from Staten Island, New York, formed in 2005. AllMusic describes the group as a "doom rock Afro-soul big band with a '70s touch" that joins "musical universes from trippy psychedelia and Afro-funk to '70s hard rock and late-'60s soul." They have described themselves as "70's Psychedelic Instrumental Music," and "Afro-soul inspired by Ethiopian music with a soul undercurrent" and "sprinkled a little bit of sweet 60's stuff on top." One press release described the band as “sounding as if Quentin Tarantino was the music supervisor for a Bond film". Their more recent albums have incorporated sounds from 1970s jazz, funk, Afro-Beat, underground rock, and proto-metal. They have been signed to Daptone Records throughout their career.
Ikebe Shakedownartist
Orlando JuliusartistOrlando Julius Aremu Olusanya Ekemode, known professionally as Orlando Julius or Orlando Julius Ekemode was a Nigerian saxophonist, singer, bandleader, and songwriter closely associated with afrobeat music.
The Lijadu Sistersartist
The Shaolin Afronautsartist
Mulatu AstatkeartistMulatu Astatke is an Ethiopian musician and arranger considered the father of "Ethio-jazz".
Orchestre Poly-Rythmo de CotonouartistOrchestre Poly-Rythmo de Cotonou is a band from Cotonou, Benin, originally active from the 1960s to the 1980s and founded by singer-guitarist Mélomé Clément. They reformed in 2009 to international recognition. Their work has mixed styles such as funk, afrobeat, psychedelia, jazz and local voodoo influences. The Guardian called them "one of West Africa's best dance bands."
The Sorcerersartist
El Michels Affairartist
Vaudou Gameartist
LettuceartistLettuce is a North American funk band originating from Boston, Massachusetts in 1992. Its members are guitarist Adam "Shmeeans" Smirnoff, Nigel Hall, Adam Deitch (drums/percussion), Erick "Maverick" Coomes (bass), Ryan Zoidis (saxophone) and Eric "Benny" Bloom (trumpet).
Lafayette Afro Rock BandartistLafayette Afro Rock Band was an American funk band formed in Roosevelt, Long Island, New York in 1970. Shortly after their formation, they relocated to France. Though little-known in their native United States during their recording period, they have since become celebrated as one of the standout funk bands of the 1970s and are particularly noted for their use of break beats. The band also recorded under the names Ice, Crispy & Co., Captain Dax, and others.
Delvon Lamarr Organ TrioartistThe Delvon Lamarr Organ Trio, also known as DLO3, is an American soul-jazz group founded in 2015. The band has released five albums. Their debut album, titled Close But No Cigar, charted at number one on the U.S. Contemporary Jazz Albums chart.
Idris MuhammadartistIdris Muhammad was an American jazz drummer and bandleader. He had an extensive career performing jazz, funk, R&B, and soul music and recorded with musicians such as Ahmad Jamal, Lou Donaldson, Pharoah Sanders, Bob James, and Tete Montoliu.
Joni Haastrupartist
Polyrhythmicsartist
Charlie HunterartistCharlie Hunter is an American guitarist, composer, producer and bandleader. First coming to prominence in the early 1990s, Hunter plays custom-made seven - and eight-string guitars on which he simultaneously plays bass lines, chords, and melodies. Critic Sean Westergaard described Hunter's technique as "mind-boggling...he's an agile improviser with an ear for great tone, and always has excellent players alongside him in order to make great music, not to show off." Hunter's technique is rooted in the styles of jazz guitarists Joe Pass and Tuck Andress, two of his biggest influences, who blended bass notes with melody in a way that created the illusion of two guitars.