Artists like Willie Mitchell

The J.B.'s was James Brown's band from 1970 through the early 1980s. On records, the band was sometimes billed under alternate names such as Fred Wesley and the JBs, The James Brown Soul Train, Maceo and the Macks, A.A.B.B., Fred Wesley and the New JBs, The First Family, and The Last Word. In addition to backing Brown, the J.B.'s played behind Bobby Byrd, Lyn Collins, and other singers associated with the James Brown Revue, and performed and recorded as a self-contained group. In 2015, they were nominated for induction into the Rock and Roll Hall of Fame but failed to be inducted and can be considered for Musical Excellence in the future. They have been eligible since 1995.

The Mar-Keys were an American studio session band for Stax Records, in Memphis, Tennessee, in the 1960s. Formed in 1958 as the first house band for the label, their backing music formed the foundation for the early 1960s Stax sound.

Allen LaMar Wilson was an American soul singer known for the million-selling number one hit "Show and Tell". He is also remembered for his Northern soul anthem, "The Snake".

Autry DeWalt Mixon Jr., known professionally as Junior Walker, was an American multi-instrumentalist and vocalist who recorded for Motown during the 1960s. He also performed as a session and live-performing saxophonist with the band Foreigner during the 1980s.

James & Bobby Purify were an R&B singing duo, whose biggest hits were "I'm Your Puppet" in 1966, which reached number six in the US Billboard Hot 100 chart and in a re-recorded version number 12 in the UK Singles Chart, and "Let Love Come Between Us" in 1967, which reached number 23 in the US. The original "Bobby Purify" was replaced by a second "Bobby Purify" in the 1970s.

Overton Vertis Wright was an American singer who is generally regarded as a blues artist by African-American fans in the Deep South; he is also regarded as one of Southern soul's most authoritative and individual artists. His best known songs include "That's How Strong My Love Is" (1964), "You're Gonna Make Me Cry" (1965), "Nucleus of Soul" (1968), "A Nickel and a Nail" (1971), "I Can't Take It" (1971) and "Ace of Spades" (1971).

Justine Washington, usually credited as Baby Washington, but credited on some early records as Jeanette (Baby) Washington, is an American soul music vocalist, who had 16 Billboard R&B chart entries in 15 years, most of them during the 1960s. Her biggest hit, "That's How Heartaches Are Made" in 1963, also entered the Top 40 on the Billboard Hot 100.

Lou Johnson was an American soul singer and pianist who was active as a recording artist in the 1960s and early 1970s.

Darrell Banks was an American soul singer. He had a hit with 1966's "Open the Door to Your Heart".

The Bar-Kays is an American funk band formed in 1964. The band had dozens of charting singles from the 1960s to the 1980s, including "Soul Finger" in 1967, "Son of Shaft" in 1972, and "Boogie Body Land" in 1980. The Bar-Kays also served as the backing band for a variety of singers, including Isaac Hayes and Otis Redding.

Doris Troy was an American R&B singer and songwriter, known to her fans as "Mama Soul". Her biggest hit was "Just One Look", a top 10 hit in 1963.

The Contours are an American rhythm and blues vocal group. They recorded for Motown Records. They are known for their 1962 hit single "Do You Love Me", which sold over 1 million copies and became a major hit again in 1988.