Legacy of Julie Felix

Manfred Mann was an English-based rock band formed in London in 1962. They were named after their keyboardist Manfred Mann. The group had two lead vocalists: Paul Jones from 1962 to 1966 and Mike d'Abo from 1966 to 1969. Other members of various group line-ups were Mike Hugg, Mike Vickers, Dave Richmond, Tom McGuinness, Jack Bruce, Lyn Dobson, Henry Lowther and Klaus Voormann.

Timothy Charles Buckley III was an American musician. He began his career based in folk rock, but subsequently experimented with genres such as psychedelia, jazz, the avant-garde, and funk.

The Four Tops are an American vocal group formed in Detroit, Michigan, in 1953 as the Four Aims. They were one of the most commercially successful American pop music groups of the 1960s and helped propel Motown Records to international fame. The group's repertoire has incorporated elements of soul, R&B, disco, adult contemporary, doo-wop, jazz, and show tunes. Lead singer Levi Stubbs, along with backing vocalists Abdul "Duke" Fakir, Renaldo "Obie" Benson and Lawrence Payton remained together in the group for more than four decades, performing until 1997 without a change in personnel. Along with fellow Motown groups the Miracles, the Marvelettes, Martha and the Vandellas, the Temptations, and the Supremes, the Four Tops helped to establish the "Motown sound"; pop-friendly soul and R&B with a clean, polished production quality. They were notable for having Stubbs, a baritone, as their lead singer, whereas most other male and mixed vocal groups of the time were fronted by tenors.

Madeline Bell is an American soul singer, who became famous as a performer in the UK during the 1960s and 1970s with pop group Blue Mink, having arrived from the United States in the gospel show Black Nativity in 1962, with the vocal group Bradford Singers.

John Ewen Cameron was an Australian baritone singer, who made most of his career in Britain. He became known for his portrayal of characters in modern operas by composers from Australia, Britain and continental Europe, and for his recordings with conductors such as Sir Thomas Beecham, Sir Adrian Boult, the young Colin Davis, and particularly Sir Malcolm Sargent.