Legacy of Ramblin' Jack Elliott

Jerry Jeff Walker was an American country and folk singer-songwriter. He was a leading figure in the progressive country and outlaw country music movement. He is best known for writing the 1968 song "Mr. Bojangles".

Keith "Mac" MacLeod, was an English musician who was a part of the Hertfordshire folk and blues scene from 1959 onwards. He played in St Albans alongside Mick Softley and Maddy Prior and toured with John Renbourn. Influences include Softley, Ramblin' Jack Elliott, Derroll Adams, Jesse Fuller, Big Bill Broonzy, Snooks Eaglin, Reverend Gary Davis and Davey Graham.

Jonathan Spencer Wilson is an American producer, songwriter and musician based in Los Angeles, California. He is a frequent collaborator of Father John Misty. They co-produced Father John Misty's Grammy-nominated "Chloe and the Next 20th Century."

John Harrold Craigie III is an American singer-songwriter and storyteller. Hailed as a "Modern-Day Troubadour" in the style of Woody Guthrie, Craigie's comedic storytelling style has been compared to Mitch Hedberg, while his music and commitment to living on the road has drawn comparisons to Guthrie, Ramblin' Jack Elliott and Pete Seeger.

The Chambers Brothers are an American psychedelic soul band, best known for their eleven-minute 1968 psychedelic soul hit "Time Has Come Today". The group was part of the wave of new music that integrated American blues and gospel traditions with modern psychedelic and rock elements. Their music has been kept alive through frequent use in film soundtracks. There were four brothers, though other musicians were also in the group.

Good as I Been to You is the twenty-eighth studio album by American singer-songwriter Bob Dylan, released on November 3, 1992, by Columbia Records. The title comes from the second line of "You're Gonna Quit Me,” which is the eleventh track of the album.

"All I Really Want to Do" is a song written by Bob Dylan and featured on his Tom Wilson-produced 1964 album, Another Side of Bob Dylan. It is arguably one of the most popular songs that Dylan wrote in the period immediately after he abandoned topical songwriting. Within a year of its release on Another Side of Bob Dylan, it had also become one of Dylan's most familiar songs to pop and rock audiences, due to hit cover versions by Cher and the Byrds.