Legacy of Wiley

Aaron Daniel Davies, known professionally as Bugzy Malone, is a British rapper and actor from Manchester, England. Malone has been described as one of the key artists instigating a "grime revival" moving the UK urban scene away from more commercially oriented music, and the first artist in the grime genre from Manchester to commercially succeed in the UK.

Ashley Thomas, also known by the stage name Bashy, is a British actor and rapper.

LaRon Louis James Sr., better known by his stage name Juelz Santana, is an American rapper. A member of now-defunct hip-hop group the Diplomats, he is best known for his appearances on Cam'ron's 2002 singles "Oh Boy" and "Hey Ma", both of which peaked within the top five of the Billboard Hot 100. He later guest appeared on Chris Brown's 2005 single, "Run It!", which peaked atop the chart for five weeks and received triple platinum certification by the Recording Industry Association of America (RIAA). As a lead artist, he is also known for his 2005 single "There It Go ", which peaked at number six on the chart and received platinum certification by the RIAA.

Joseph Olaitan Adenuga Jr, known professionally as Skepta, is an English grime music MC, rapper, record producer, fashion designer, film director and DJ. Alongside his younger brother Jme, he briefly joined Roll Deep before they became founding members of Boy Better Know in 2005. With Boy Better Know, Skepta clashed with fellow MC Devilman for the video release Lord of the Mics 2, in what is remembered as one of the biggest clashes in grime history.

"Niggas in Paris" is a song by American rappers Jay-Z and Kanye West from their collaborative studio album, Watch the Throne (2011). The song was produced by Hit-Boy with West and Mike Dean, while Anthony Kilhoffer contributed additional production. The producers served as co-writers with Jay-Z and Reverend W.A. Donaldson, the latter of whom was credited due to a sample of his work. Jay-Z envisioned the song's concept as how the two obtained their wealth, instead of showing it off. Pusha T was originally offered the beat, yet rejected it due to the playful sound. The beat was crafted by Hit-Boy and went unused until he was called by Don C, and he then provided it for the song. On September 13, 2011, the song was released to US rhythmic and urban contemporary radio stations as the album's fourth single, through Def Jam, Roc Nation, and Roc-A-Fella.