Roots of Judy Collins

Ian & Sylvia were a Canadian folk and country music duo that consisted of Ian and Sylvia Tyson. They began performing together in 1959, married in 1964, and divorced and stopped performing together in 1975.

Eric Andersen is an American folk music singer-songwriter, who has written songs recorded by Johnny Cash, Bob Dylan, Judy Collins, Linda Ronstadt, the Grateful Dead, Rick Nelson, and many others. Early in his career, in the 1960s, he was part of the Greenwich Village folk scene. After two decades and sixteen albums of solo performance, he formed Danko/Fjeld/Andersen with Rick Danko and Jonas Fjeld, which released two albums in the early 1990s.

Peter Seeger was an American singer, songwriter, musician, and social activist. He was a fixture on nationwide radio in the 1940s, and had a string of hit records in the early 1950s as a member of The Weavers, especially their recording of Lead Belly's "Goodnight, Irene", which topped the charts for 13 weeks in 1950. Members of the Weavers were blacklisted during the McCarthy Era. In the 1960s, Seeger re-emerged on the public scene as a prominent singer of protest music in support of international disarmament, civil rights, workers' rights, counterculture, environmental causes, and ending the Vietnam War.

Fred Neil was an American folk singer-songwriter active in the 1960s and early 1970s. He is mainly known through other people's recordings of his material, particularly "Everybody's Talkin'", which became a hit for Harry Nilsson after it was used in the film Midnight Cowboy in 1969. Though highly regarded by contemporary folk singers, he was reluctant to tour and spent much of the last 30 years of his life assisting with the preservation of dolphins.

Songs of Love and Hate is the third studio album by Canadian singer-songwriter Leonard Cohen. Produced by Bob Johnston, the album was released on March 19, 1971, through Columbia Records.

Songs from a Room is the second studio album by Canadian musician Leonard Cohen, released in 1969. It reached No. 63 on the US Billboard Top LPs and No. 2 on the UK charts.