Roots of Omara Portuondo

Afro-Cuban All Stars is a Cuban band led by Juan de Marcos González. Their music is a mix of all the styles of Cuban music, including bolero, chachachá, salsa, son montuno, timba, guajira, danzón, rumba and abakua.

Carlos Manuel Puebla was a Cuban singer, guitarist and composer. He was a member of the Trova movement, who specialized in boleros and patriotic songs.

Maria Bethânia Viana Teles Veloso is a Brazilian singer and songwriter. Born in Santo Amaro, Bahia, she started her career in Rio de Janeiro in 1964 with the show "Opinião" ("Opinion"), she is "The Queen of Brazilian Music". Due to its popularity, with performances all over the country, and the popularity of her 1965 single "Carcará", the artist became a star in Brazil. She is the most awarded artist in the history of the Brazilian Music Awards.

Ibrahim Ferrer was a Cuban singer who played with the group Los Bocucos for nearly forty years. He also performed with Conjunto Sorpresa, Chepín y su Orquesta Oriental, and Mario Patterson. After his retirement in 1991, he was brought back in the studio to record with the Afro-Cuban All Stars and Buena Vista Social Club, in March 1996. He then toured internationally with these revival groups and recorded several solo albums for World Circuit, before his death in 2005.

Antón Álvarez Alfaro, known professionally as C. Tangana, is a Spanish rapper. He began his musical career while in high school, rapping under the pseudonym Crema and releasing a seven-track EP titled Él Es Crema (2005). He gained recognition in Spain as a member of the band Agorazein. In 2016, Tangana began performing as a solo act under the stage name C. Tangana.

Buena Vista Social Club was a musical ensemble primarily made up of Cuban musicians, formed in 1996. The project was organized by World Circuit executive Nick Gold, produced by American guitarist Ry Cooder and directed by Juan de Marcos González. They named the group after the members' club of the same name in the Buenavista quarter of Havana, a popular music venue in the 1940s. To showcase the popular styles of the time, such as son, bolero and danzón, they recruited a dozen veteran musicians, some of whom had been retired for many years.