Artists like Joan Baez

Christiana Elizabeth "Tia" Wallman, known professionally as Tia Blake, was an American singer-songwriter and writer. She recorded the 1971 album Folk Songs & Ballads: Tia Blake and Her Folk-Group, which was released in France in a small pressing and reissued in 2011. Later accounts have described it as a lost or rediscovered folk album, and commentators have compared Blake with singers including Nick Drake and Nico.

Timothy Charles Buckley III was an American musician. He began his career based in folk rock, but subsequently experimented with genres such as psychedelia, jazz, the avant-garde, and funk.

Judith Lynne Sill was an American singer-songwriter and composer. She was influenced by Bach, and wrote lyrics drawing on Christian themes of rapture and redemption.

Karen J. Dalton was an American country blues singer, guitarist, and banjo player. She was associated with the early 1960s Greenwich Village folk music scene, particularly with Fred Neil, the Holy Modal Rounders, and Bob Dylan. Although she did not enjoy much commercial success during her lifetime, her music has gained significant recognition since her death. Artists like Nick Cave, Devendra Banhart, and Joanna Newsom have noted her as an influence.

Peter Seeger was an American singer, songwriter, musician, and social activist. He was a fixture on nationwide radio in the 1940s, and had a string of hit records in the early 1950s as a member of The Weavers, especially their recording of Lead Belly's "Goodnight, Irene", which topped the charts for 13 weeks in 1950. Members of the Weavers were blacklisted during the McCarthy Era. In the 1960s, Seeger re-emerged on the public scene as a prominent singer of protest music in support of international disarmament, civil rights, workers' rights, counterculture, environmental causes, and ending the Vietnam War.

Linda Perhacs is an American psychedelic folk singer, who released her first album, Parallelograms, in 1970 to scant notice or sales. The album was rediscovered by record enthusiasts and reissued numerous times beginning in 1998, growing in popularity with the rise of the New Weird America movement and the Internet. In 2014, she released a second album titled The Soul of All Natural Things, and a third, I'm a Harmony, in 2017.

Jackson Carey Frank was an American folk musician. He released his first and only album in 1965, produced by Paul Simon. After the release of the record, Frank was plagued by a series of personal issues, and was diagnosed with schizophrenia and protracted depression that prevented him from maintaining his career.

Fred Neil was an American folk singer-songwriter active in the 1960s and early 1970s. He is mainly known through other people's recordings of his material, particularly "Everybody's Talkin'", which became a hit for Harry Nilsson after it was used in the film Midnight Cowboy in 1969. Though highly regarded by contemporary folk singers, he was reluctant to tour and spent much of the last 30 years of his life assisting with the preservation of dolphins.

Crosby, Stills & Nash (CSN) was a folk rock supergroup composed of the American singer-songwriters David Crosby and Stephen Stills and the English-American singer-songwriter Graham Nash. When joined by the Canadian singer-songwriter Neil Young, they were known as Crosby, Stills, Nash & Young (CSNY). They are noted for their intricate vocal harmonies and lasting influence on American music and culture, their political activism and their tumultuous relationships.

Odetta Holmes, known mononymously as Odetta, was an American singer, songwriter, and actress. Referred to as "The Voice of the Civil Rights Movement", her musical repertoire consisted largely of American folk music, blues, jazz, and spirituals.

Fairport Convention are an English folk rock band, formed in 1967 by guitarists Richard Thompson and Simon Nicol, bassist Ashley Hutchings and drummer Shaun Frater. They started out influenced by American folk rock, with a set list dominated by Bob Dylan and Joni Mitchell songs and a sound that earned them the nickname "the British Jefferson Airplane". Vocalists Judy Dyble and Iain Matthews joined them before the recording of their self-titled debut in 1968; afterwards, Dyble was replaced by Sandy Denny, and Matthews later left during the recording of their third album.

James Timothy Hardin was an American folk music and blues singer-songwriter and guitarist. In addition to his own success, his songs "If I Were a Carpenter", "Reason to Believe", "Misty Roses" and "The Lady Came from Baltimore" were hits for other artists.

Nicholas Rodney Drake was an English musician. An accomplished acoustic guitarist, Drake signed to Island Records at the age of twenty while still a student at the University of Cambridge. His debut album, Five Leaves Left, was released in 1969, and was followed by two more albums, Bryter Layter (1971) and Pink Moon (1972). He did not reach a wide audience during his lifetime, but found acclaim and wider recognition following his death.

Herbert Jansch was a Scottish folk musician and founding member of the band Pentangle. He was born in Glasgow and came to prominence in London in the 1960s as an acoustic guitarist and singer-songwriter. He recorded more than 28 albums and toured extensively from the 1960s to the 21st century.

The Mamas & the Papas were an American-Canadian folk rock vocal group that recorded and performed from 1965 to 1968, with a brief reunion in 1971. The group was a defining force in the music scene of the counterculture of the 1960s. Formed in New York City, the group consisted of Americans John Phillips, Cass Elliot, and Michelle Phillips, and Canadian Denny Doherty. Its sound was based on vocal harmonies arranged by John Phillips – the songwriter and leader of the group – who adapted folk to the new beat style of the early 1960s.

Elizabeth Eaton Converse was an American singer-songwriter, best known under her professional name Connie Converse. She was active in New York City in the 1950s, and her work is among the earliest known recordings in the singer-songwriter genre of music in the U.S. Before and after the period in which she wrote her music she was an academic, writer, and assistant editor for the Far Eastern Survey, and editor for the Journal of Conflict Resolution.