Artists like Josh White

Huddie William Ledbetter, better known by the stage name Lead Belly, was an American folk and blues singer notable for his strong vocals, virtuosity on the twelve-string guitar, and the folk standards he introduced, including his renditions of "In the Pines", "Pick a Bale of Cotton", "Goodnight, Irene", "Black Betty", "Midnight Special", "Cotton Fields", and "Boll Weevil".

Booker T. Washington "Bukka" White was an American Delta blues guitarist and singer. His first full-length biography, The Life and Music of Booker "Bukka" White: Recalling the Blues (2024), has been published by the University Press of Mississippi.

Arthur Blake, known as Blind Blake, was an American blues and ragtime singer and guitarist. He is known for recordings he made for Paramount Records between 1926 and 1932.

Nehemiah Curtis "Skip" James was an American Delta blues singer, guitarist, pianist and songwriter. AllMusic stated: "Coupling an oddball guitar tuning set against eerie, falsetto vocals, James' early recordings could make the hair stand up on the back of your neck."

Odetta Holmes, known mononymously as Odetta, was an American singer, songwriter, and actress. Referred to as "The Voice of the Civil Rights Movement", her musical repertoire consisted largely of American folk music, blues, jazz, and spirituals.

Fred McDowell, known by his stage name Mississippi Fred McDowell, was an American singer-songwriter and guitarist of hill country blues music.

Leroy Carr was an American blues singer, songwriter and pianist who developed a laid-back, crooning technique and whose popularity and style influenced such artists as Nat King Cole and Ray Charles. Music historian Elijah Wald has called him "the most influential male blues singer and songwriter of the first half of the 20th century". He first became famous for "How Long, How Long Blues", his debut recording released by Vocalion Records in 1928.

Robert Hicks, known as Barbecue Bob, was an American Piedmont blues musician who played 12 string guitar which was popular in the Atlanta, Georgia, area at the time. A record talent scout gave him his nickname because he worked as a cook in a barbecue restaurant. One of the two existing photographs of him shows him playing his guitar and wearing a full length, white apron and cook's hat.

Gary D. Davis, known as Reverend Gary Davis and Blind Gary Davis, was an American blues and gospel singer who was also proficient on the banjo, guitar and harmonica. Born in Laurens, South Carolina, and blind since infancy, Davis first performed professionally in the Piedmont blues scene of Durham, North Carolina, in the 1930s, then converted to Christianity and became a minister. After moving to New York in the 1940s, Davis experienced a career rebirth as part of the American folk music revival that peaked during the 1960s. Davis' most notable recordings include "Samson and Delilah" and "Death Don't Have No Mercy".

Tympany Five was a famous, successful, and influential American rhythm and blues and jazz dance band founded by Louis Jordan in 1938. The group was composed of a horn section of three to five different pieces and also drums, double bass, guitar and piano.

Etta Baker was an American Piedmont blues guitarist and singer from North Carolina.

Elmore James was an American blues guitarist, singer, songwriter, and bandleader. Noted for his use of loud amplification and his stirring voice, James was inducted into the Rock and Roll Hall of Fame in 1992. His slide guitar technique earned him the nickname "King of the Slide Guitar".

Robert Calvin Bland, known professionally as Bobby "Blue" Bland, was an American blues singer. Bland developed a sound that mixed gospel with the blues and R&B. He was described as "among the great storytellers of blues and soul music... [who] created tempestuous arias of love, betrayal and resignation, set against roiling, dramatic orchestrations, and left the listener drained but awed." The inspiration behind his unique style was a Detroit Preacher, CL Franklin, because Bland studied his sermons. He was sometimes referred to as the "Lion of the Blues" and as the "Sinatra of the Blues". His music was influenced by Nat King Cole.